Why is this 4th-note written as two 8th-notes tied together?

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In the second measure of the first voice, the 8th notes are tied together in pairs. Why would it be notated this way instead of as fourth-notes?



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  • Besides the answers below, this does sometimes happen even with non-lyrical music when it's helpful to align timing subdivisions in staves. For example, the first and second voice here suggest a measure where the basic unit is an eighth note so it's a plausible spelling for, e.g., the two hands in a piano staff system. But not obligatory in that case. P.S. "quarter-note" :)
    – Luke Sawczak
    10 mins ago















up vote
1
down vote

favorite












In the second measure of the first voice, the 8th notes are tied together in pairs. Why would it be notated this way instead of as fourth-notes?



enter image description here










share|improve this question





















  • Besides the answers below, this does sometimes happen even with non-lyrical music when it's helpful to align timing subdivisions in staves. For example, the first and second voice here suggest a measure where the basic unit is an eighth note so it's a plausible spelling for, e.g., the two hands in a piano staff system. But not obligatory in that case. P.S. "quarter-note" :)
    – Luke Sawczak
    10 mins ago













up vote
1
down vote

favorite









up vote
1
down vote

favorite











In the second measure of the first voice, the 8th notes are tied together in pairs. Why would it be notated this way instead of as fourth-notes?



enter image description here










share|improve this question













In the second measure of the first voice, the 8th notes are tied together in pairs. Why would it be notated this way instead of as fourth-notes?



enter image description here







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asked 45 mins ago









Anna

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449111











  • Besides the answers below, this does sometimes happen even with non-lyrical music when it's helpful to align timing subdivisions in staves. For example, the first and second voice here suggest a measure where the basic unit is an eighth note so it's a plausible spelling for, e.g., the two hands in a piano staff system. But not obligatory in that case. P.S. "quarter-note" :)
    – Luke Sawczak
    10 mins ago

















  • Besides the answers below, this does sometimes happen even with non-lyrical music when it's helpful to align timing subdivisions in staves. For example, the first and second voice here suggest a measure where the basic unit is an eighth note so it's a plausible spelling for, e.g., the two hands in a piano staff system. But not obligatory in that case. P.S. "quarter-note" :)
    – Luke Sawczak
    10 mins ago
















Besides the answers below, this does sometimes happen even with non-lyrical music when it's helpful to align timing subdivisions in staves. For example, the first and second voice here suggest a measure where the basic unit is an eighth note so it's a plausible spelling for, e.g., the two hands in a piano staff system. But not obligatory in that case. P.S. "quarter-note" :)
– Luke Sawczak
10 mins ago





Besides the answers below, this does sometimes happen even with non-lyrical music when it's helpful to align timing subdivisions in staves. For example, the first and second voice here suggest a measure where the basic unit is an eighth note so it's a plausible spelling for, e.g., the two hands in a piano staff system. But not obligatory in that case. P.S. "quarter-note" :)
– Luke Sawczak
10 mins ago











2 Answers
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If all the verses had exactly the same number of syllables, there would be no need. 'Varm' and 'korv' are both one syllable, so need a crotchet each, shown by tied quavers. But in verse 2, 'ha-de sme-tat' uses 4 syllables, which need to be shown on the dots with 4 quavers.



The music is trying to show how each word in each verse is sung, and because they're all slightly different, this is the only way.






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  • Right, of course! Thank you!
    – Anna
    19 mins ago

















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Because the lyrics of some (but not all) stanzas require breaking the quarter note into two eighth notes. It's sort of a tossup what to play when playing this purely instrumentally. If you are playing this three times (sort of as a sing-along) it makes some sense to follow the metre of the individual stanzas. Otherwise I'd likely play the quarters.






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    2 Answers
    2






    active

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    2 Answers
    2






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    active

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    up vote
    2
    down vote



    accepted










    If all the verses had exactly the same number of syllables, there would be no need. 'Varm' and 'korv' are both one syllable, so need a crotchet each, shown by tied quavers. But in verse 2, 'ha-de sme-tat' uses 4 syllables, which need to be shown on the dots with 4 quavers.



    The music is trying to show how each word in each verse is sung, and because they're all slightly different, this is the only way.






    share|improve this answer




















    • Right, of course! Thank you!
      – Anna
      19 mins ago














    up vote
    2
    down vote



    accepted










    If all the verses had exactly the same number of syllables, there would be no need. 'Varm' and 'korv' are both one syllable, so need a crotchet each, shown by tied quavers. But in verse 2, 'ha-de sme-tat' uses 4 syllables, which need to be shown on the dots with 4 quavers.



    The music is trying to show how each word in each verse is sung, and because they're all slightly different, this is the only way.






    share|improve this answer




















    • Right, of course! Thank you!
      – Anna
      19 mins ago












    up vote
    2
    down vote



    accepted







    up vote
    2
    down vote



    accepted






    If all the verses had exactly the same number of syllables, there would be no need. 'Varm' and 'korv' are both one syllable, so need a crotchet each, shown by tied quavers. But in verse 2, 'ha-de sme-tat' uses 4 syllables, which need to be shown on the dots with 4 quavers.



    The music is trying to show how each word in each verse is sung, and because they're all slightly different, this is the only way.






    share|improve this answer












    If all the verses had exactly the same number of syllables, there would be no need. 'Varm' and 'korv' are both one syllable, so need a crotchet each, shown by tied quavers. But in verse 2, 'ha-de sme-tat' uses 4 syllables, which need to be shown on the dots with 4 quavers.



    The music is trying to show how each word in each verse is sung, and because they're all slightly different, this is the only way.







    share|improve this answer












    share|improve this answer



    share|improve this answer










    answered 21 mins ago









    Tim

    88.9k1090225




    88.9k1090225











    • Right, of course! Thank you!
      – Anna
      19 mins ago
















    • Right, of course! Thank you!
      – Anna
      19 mins ago















    Right, of course! Thank you!
    – Anna
    19 mins ago




    Right, of course! Thank you!
    – Anna
    19 mins ago










    up vote
    1
    down vote













    Because the lyrics of some (but not all) stanzas require breaking the quarter note into two eighth notes. It's sort of a tossup what to play when playing this purely instrumentally. If you are playing this three times (sort of as a sing-along) it makes some sense to follow the metre of the individual stanzas. Otherwise I'd likely play the quarters.






    share|improve this answer
























      up vote
      1
      down vote













      Because the lyrics of some (but not all) stanzas require breaking the quarter note into two eighth notes. It's sort of a tossup what to play when playing this purely instrumentally. If you are playing this three times (sort of as a sing-along) it makes some sense to follow the metre of the individual stanzas. Otherwise I'd likely play the quarters.






      share|improve this answer






















        up vote
        1
        down vote










        up vote
        1
        down vote









        Because the lyrics of some (but not all) stanzas require breaking the quarter note into two eighth notes. It's sort of a tossup what to play when playing this purely instrumentally. If you are playing this three times (sort of as a sing-along) it makes some sense to follow the metre of the individual stanzas. Otherwise I'd likely play the quarters.






        share|improve this answer












        Because the lyrics of some (but not all) stanzas require breaking the quarter note into two eighth notes. It's sort of a tossup what to play when playing this purely instrumentally. If you are playing this three times (sort of as a sing-along) it makes some sense to follow the metre of the individual stanzas. Otherwise I'd likely play the quarters.







        share|improve this answer












        share|improve this answer



        share|improve this answer










        answered 31 mins ago







        user53035


































             

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