What are the “glass coffins”? What does “there's lights out, then there's lock up” mean here?

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Hear them whispering French and German

Dutch, Italian, and Latin

When no one's looking I catch a sculpture marble,

Cold, and soft as satin



But the most special are the most lonely

God, I pity the violins

In glass coffins they keep coughing

They've forgotten, forgotten how to sing, how to sing.



First there's lights out, then there's lock up

Masterpieces serving maximum sentences

It's their own fault for being timeless

There's a price you pay and a consequence

All the galleries, the museums

Here's your ticket, welcome to the tombs

They're just public mausoleums

Here's your ticket, welcome to the tombs

They're just public mausoleums
The living dead fill every room



But the most special are the most lonely

God, I pity the violins

In glass coffins they keep coughing

They've forgotten, forgotten how to sing



-- Regina Spektor, All the Rowboats




Why does she say the works of art art serving "maximum sentences"?



What are the "glass coffins"?



What does "there's lights out, then there's lock up" mean?



What is OR Who are "the living dead"?










share|improve this question



















  • 2




    A perfect description of the Ashmoleam collection: ashmolean.org/musical-instruments. Exactly what I felt when seeing them there.
    – Brian Tompsett - 汤莱恩
    17 hours ago






  • 1




    Glass coffins, are they a good idea? Remains to be seen.
    – LiefdeWen
    5 hours ago










  • @LiefdeWen rimshot
    – Andrew
    39 mins ago
















up vote
7
down vote

favorite













Hear them whispering French and German

Dutch, Italian, and Latin

When no one's looking I catch a sculpture marble,

Cold, and soft as satin



But the most special are the most lonely

God, I pity the violins

In glass coffins they keep coughing

They've forgotten, forgotten how to sing, how to sing.



First there's lights out, then there's lock up

Masterpieces serving maximum sentences

It's their own fault for being timeless

There's a price you pay and a consequence

All the galleries, the museums

Here's your ticket, welcome to the tombs

They're just public mausoleums

Here's your ticket, welcome to the tombs

They're just public mausoleums
The living dead fill every room



But the most special are the most lonely

God, I pity the violins

In glass coffins they keep coughing

They've forgotten, forgotten how to sing



-- Regina Spektor, All the Rowboats




Why does she say the works of art art serving "maximum sentences"?



What are the "glass coffins"?



What does "there's lights out, then there's lock up" mean?



What is OR Who are "the living dead"?










share|improve this question



















  • 2




    A perfect description of the Ashmoleam collection: ashmolean.org/musical-instruments. Exactly what I felt when seeing them there.
    – Brian Tompsett - 汤莱恩
    17 hours ago






  • 1




    Glass coffins, are they a good idea? Remains to be seen.
    – LiefdeWen
    5 hours ago










  • @LiefdeWen rimshot
    – Andrew
    39 mins ago












up vote
7
down vote

favorite









up vote
7
down vote

favorite












Hear them whispering French and German

Dutch, Italian, and Latin

When no one's looking I catch a sculpture marble,

Cold, and soft as satin



But the most special are the most lonely

God, I pity the violins

In glass coffins they keep coughing

They've forgotten, forgotten how to sing, how to sing.



First there's lights out, then there's lock up

Masterpieces serving maximum sentences

It's their own fault for being timeless

There's a price you pay and a consequence

All the galleries, the museums

Here's your ticket, welcome to the tombs

They're just public mausoleums

Here's your ticket, welcome to the tombs

They're just public mausoleums
The living dead fill every room



But the most special are the most lonely

God, I pity the violins

In glass coffins they keep coughing

They've forgotten, forgotten how to sing



-- Regina Spektor, All the Rowboats




Why does she say the works of art art serving "maximum sentences"?



What are the "glass coffins"?



What does "there's lights out, then there's lock up" mean?



What is OR Who are "the living dead"?










share|improve this question
















Hear them whispering French and German

Dutch, Italian, and Latin

When no one's looking I catch a sculpture marble,

Cold, and soft as satin



But the most special are the most lonely

God, I pity the violins

In glass coffins they keep coughing

They've forgotten, forgotten how to sing, how to sing.



First there's lights out, then there's lock up

Masterpieces serving maximum sentences

It's their own fault for being timeless

There's a price you pay and a consequence

All the galleries, the museums

Here's your ticket, welcome to the tombs

They're just public mausoleums

Here's your ticket, welcome to the tombs

They're just public mausoleums
The living dead fill every room



But the most special are the most lonely

God, I pity the violins

In glass coffins they keep coughing

They've forgotten, forgotten how to sing



-- Regina Spektor, All the Rowboats




Why does she say the works of art art serving "maximum sentences"?



What are the "glass coffins"?



What does "there's lights out, then there's lock up" mean?



What is OR Who are "the living dead"?







meaning meaning-in-context comprehension






share|improve this question















share|improve this question













share|improve this question




share|improve this question








edited 13 mins ago









Kevin

3,3491018




3,3491018










asked yesterday









AmirhoseinRiazi

655321




655321







  • 2




    A perfect description of the Ashmoleam collection: ashmolean.org/musical-instruments. Exactly what I felt when seeing them there.
    – Brian Tompsett - 汤莱恩
    17 hours ago






  • 1




    Glass coffins, are they a good idea? Remains to be seen.
    – LiefdeWen
    5 hours ago










  • @LiefdeWen rimshot
    – Andrew
    39 mins ago












  • 2




    A perfect description of the Ashmoleam collection: ashmolean.org/musical-instruments. Exactly what I felt when seeing them there.
    – Brian Tompsett - 汤莱恩
    17 hours ago






  • 1




    Glass coffins, are they a good idea? Remains to be seen.
    – LiefdeWen
    5 hours ago










  • @LiefdeWen rimshot
    – Andrew
    39 mins ago







2




2




A perfect description of the Ashmoleam collection: ashmolean.org/musical-instruments. Exactly what I felt when seeing them there.
– Brian Tompsett - 汤莱恩
17 hours ago




A perfect description of the Ashmoleam collection: ashmolean.org/musical-instruments. Exactly what I felt when seeing them there.
– Brian Tompsett - 汤莱恩
17 hours ago




1




1




Glass coffins, are they a good idea? Remains to be seen.
– LiefdeWen
5 hours ago




Glass coffins, are they a good idea? Remains to be seen.
– LiefdeWen
5 hours ago












@LiefdeWen rimshot
– Andrew
39 mins ago




@LiefdeWen rimshot
– Andrew
39 mins ago










2 Answers
2






active

oldest

votes

















up vote
20
down vote













The songwriter is mixing mausoleum and prison metaphors.



The "glass coffins" are the cases in which the (presumably) priceless violins are stored and (presumably) never played. The "living dead" are the instruments which should be played, but instead are kept on display, never making music.



Combined that with the prison image of "lights out" (time for the museum to close) and "lock up" (the violins are locked away like prisoners). "Maximum sentences" implies the violins are to be locked away forever.



As for whether she is really talking about encased instruments, or whether it's a more complicated metaphor -- I leave that to your interpretation.






share|improve this answer


















  • 1




    Are the living dead just that instruments? I wonder if they can also be those imprisoned and captive people in the paintings.
    – AmirhoseinRiazi
    2 hours ago










  • @AmirhoseinRiazi there's a certain degree of ambiguity to almost any music or poetry, but in this case while Spektor mentions the other works of art in the museum, she mostly focuses on the glass-cased musical instruments. I expect this is because they are meant to be a metaphor for something.
    – Andrew
    37 mins ago

















up vote
5
down vote













Simplistic interpretation here.



It’s a museum and the violins are kept in display cases, forever (or until they’re taken off of display).



Museums have opening hours, so there are "lights out" and "lock up" times (like a prison) when the museum is closed to the public.



Display cases are usually glass. Everyone can see the objects. The objects cannot be touched, only looked at. This is very hard on objects like the violins whose primary purpose is not to be seen, but to be used to make music. Here they remain untouched but unplayed. If they were played, they may be damaged, but in a glass case they will last a long time ("maximum sentence").



The phrase "living dead" applies to the instruments in display cases. They are still playable and a musician could "bring them to life" but not while they’re trapped in display cases.






share|improve this answer




















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    2 Answers
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    active

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    2 Answers
    2






    active

    oldest

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    oldest

    votes






    active

    oldest

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    up vote
    20
    down vote













    The songwriter is mixing mausoleum and prison metaphors.



    The "glass coffins" are the cases in which the (presumably) priceless violins are stored and (presumably) never played. The "living dead" are the instruments which should be played, but instead are kept on display, never making music.



    Combined that with the prison image of "lights out" (time for the museum to close) and "lock up" (the violins are locked away like prisoners). "Maximum sentences" implies the violins are to be locked away forever.



    As for whether she is really talking about encased instruments, or whether it's a more complicated metaphor -- I leave that to your interpretation.






    share|improve this answer


















    • 1




      Are the living dead just that instruments? I wonder if they can also be those imprisoned and captive people in the paintings.
      – AmirhoseinRiazi
      2 hours ago










    • @AmirhoseinRiazi there's a certain degree of ambiguity to almost any music or poetry, but in this case while Spektor mentions the other works of art in the museum, she mostly focuses on the glass-cased musical instruments. I expect this is because they are meant to be a metaphor for something.
      – Andrew
      37 mins ago














    up vote
    20
    down vote













    The songwriter is mixing mausoleum and prison metaphors.



    The "glass coffins" are the cases in which the (presumably) priceless violins are stored and (presumably) never played. The "living dead" are the instruments which should be played, but instead are kept on display, never making music.



    Combined that with the prison image of "lights out" (time for the museum to close) and "lock up" (the violins are locked away like prisoners). "Maximum sentences" implies the violins are to be locked away forever.



    As for whether she is really talking about encased instruments, or whether it's a more complicated metaphor -- I leave that to your interpretation.






    share|improve this answer


















    • 1




      Are the living dead just that instruments? I wonder if they can also be those imprisoned and captive people in the paintings.
      – AmirhoseinRiazi
      2 hours ago










    • @AmirhoseinRiazi there's a certain degree of ambiguity to almost any music or poetry, but in this case while Spektor mentions the other works of art in the museum, she mostly focuses on the glass-cased musical instruments. I expect this is because they are meant to be a metaphor for something.
      – Andrew
      37 mins ago












    up vote
    20
    down vote










    up vote
    20
    down vote









    The songwriter is mixing mausoleum and prison metaphors.



    The "glass coffins" are the cases in which the (presumably) priceless violins are stored and (presumably) never played. The "living dead" are the instruments which should be played, but instead are kept on display, never making music.



    Combined that with the prison image of "lights out" (time for the museum to close) and "lock up" (the violins are locked away like prisoners). "Maximum sentences" implies the violins are to be locked away forever.



    As for whether she is really talking about encased instruments, or whether it's a more complicated metaphor -- I leave that to your interpretation.






    share|improve this answer














    The songwriter is mixing mausoleum and prison metaphors.



    The "glass coffins" are the cases in which the (presumably) priceless violins are stored and (presumably) never played. The "living dead" are the instruments which should be played, but instead are kept on display, never making music.



    Combined that with the prison image of "lights out" (time for the museum to close) and "lock up" (the violins are locked away like prisoners). "Maximum sentences" implies the violins are to be locked away forever.



    As for whether she is really talking about encased instruments, or whether it's a more complicated metaphor -- I leave that to your interpretation.







    share|improve this answer














    share|improve this answer



    share|improve this answer








    edited 23 hours ago

























    answered 23 hours ago









    Andrew

    60k566134




    60k566134







    • 1




      Are the living dead just that instruments? I wonder if they can also be those imprisoned and captive people in the paintings.
      – AmirhoseinRiazi
      2 hours ago










    • @AmirhoseinRiazi there's a certain degree of ambiguity to almost any music or poetry, but in this case while Spektor mentions the other works of art in the museum, she mostly focuses on the glass-cased musical instruments. I expect this is because they are meant to be a metaphor for something.
      – Andrew
      37 mins ago












    • 1




      Are the living dead just that instruments? I wonder if they can also be those imprisoned and captive people in the paintings.
      – AmirhoseinRiazi
      2 hours ago










    • @AmirhoseinRiazi there's a certain degree of ambiguity to almost any music or poetry, but in this case while Spektor mentions the other works of art in the museum, she mostly focuses on the glass-cased musical instruments. I expect this is because they are meant to be a metaphor for something.
      – Andrew
      37 mins ago







    1




    1




    Are the living dead just that instruments? I wonder if they can also be those imprisoned and captive people in the paintings.
    – AmirhoseinRiazi
    2 hours ago




    Are the living dead just that instruments? I wonder if they can also be those imprisoned and captive people in the paintings.
    – AmirhoseinRiazi
    2 hours ago












    @AmirhoseinRiazi there's a certain degree of ambiguity to almost any music or poetry, but in this case while Spektor mentions the other works of art in the museum, she mostly focuses on the glass-cased musical instruments. I expect this is because they are meant to be a metaphor for something.
    – Andrew
    37 mins ago




    @AmirhoseinRiazi there's a certain degree of ambiguity to almost any music or poetry, but in this case while Spektor mentions the other works of art in the museum, she mostly focuses on the glass-cased musical instruments. I expect this is because they are meant to be a metaphor for something.
    – Andrew
    37 mins ago












    up vote
    5
    down vote













    Simplistic interpretation here.



    It’s a museum and the violins are kept in display cases, forever (or until they’re taken off of display).



    Museums have opening hours, so there are "lights out" and "lock up" times (like a prison) when the museum is closed to the public.



    Display cases are usually glass. Everyone can see the objects. The objects cannot be touched, only looked at. This is very hard on objects like the violins whose primary purpose is not to be seen, but to be used to make music. Here they remain untouched but unplayed. If they were played, they may be damaged, but in a glass case they will last a long time ("maximum sentence").



    The phrase "living dead" applies to the instruments in display cases. They are still playable and a musician could "bring them to life" but not while they’re trapped in display cases.






    share|improve this answer
























      up vote
      5
      down vote













      Simplistic interpretation here.



      It’s a museum and the violins are kept in display cases, forever (or until they’re taken off of display).



      Museums have opening hours, so there are "lights out" and "lock up" times (like a prison) when the museum is closed to the public.



      Display cases are usually glass. Everyone can see the objects. The objects cannot be touched, only looked at. This is very hard on objects like the violins whose primary purpose is not to be seen, but to be used to make music. Here they remain untouched but unplayed. If they were played, they may be damaged, but in a glass case they will last a long time ("maximum sentence").



      The phrase "living dead" applies to the instruments in display cases. They are still playable and a musician could "bring them to life" but not while they’re trapped in display cases.






      share|improve this answer






















        up vote
        5
        down vote










        up vote
        5
        down vote









        Simplistic interpretation here.



        It’s a museum and the violins are kept in display cases, forever (or until they’re taken off of display).



        Museums have opening hours, so there are "lights out" and "lock up" times (like a prison) when the museum is closed to the public.



        Display cases are usually glass. Everyone can see the objects. The objects cannot be touched, only looked at. This is very hard on objects like the violins whose primary purpose is not to be seen, but to be used to make music. Here they remain untouched but unplayed. If they were played, they may be damaged, but in a glass case they will last a long time ("maximum sentence").



        The phrase "living dead" applies to the instruments in display cases. They are still playable and a musician could "bring them to life" but not while they’re trapped in display cases.






        share|improve this answer












        Simplistic interpretation here.



        It’s a museum and the violins are kept in display cases, forever (or until they’re taken off of display).



        Museums have opening hours, so there are "lights out" and "lock up" times (like a prison) when the museum is closed to the public.



        Display cases are usually glass. Everyone can see the objects. The objects cannot be touched, only looked at. This is very hard on objects like the violins whose primary purpose is not to be seen, but to be used to make music. Here they remain untouched but unplayed. If they were played, they may be damaged, but in a glass case they will last a long time ("maximum sentence").



        The phrase "living dead" applies to the instruments in display cases. They are still playable and a musician could "bring them to life" but not while they’re trapped in display cases.







        share|improve this answer












        share|improve this answer



        share|improve this answer










        answered 18 hours ago









        Pam

        20915




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