Why does the small h letter in Garamond italic bend inward?

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The small h letter in Garamond italic usually bends inward, as the following:



garamond-italic-h



Sometimes it's difficult to distinguish it with b. Can anyone give some (historical) reason for that?










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up vote
4
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The small h letter in Garamond italic usually bends inward, as the following:



garamond-italic-h



Sometimes it's difficult to distinguish it with b. Can anyone give some (historical) reason for that?










share|improve this question







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Stone-Zeng is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
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    Hi Stone-Zeng, welcome to GDSE and thanks for your question. If you want to know more about the site, please see the help center or feel free to join us in the Graphic Design Chat. Keep contributing and enjoy the site!
    – Vincent
    3 hours ago












up vote
4
down vote

favorite









up vote
4
down vote

favorite











The small h letter in Garamond italic usually bends inward, as the following:



garamond-italic-h



Sometimes it's difficult to distinguish it with b. Can anyone give some (historical) reason for that?










share|improve this question







New contributor




Stone-Zeng is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.











The small h letter in Garamond italic usually bends inward, as the following:



garamond-italic-h



Sometimes it's difficult to distinguish it with b. Can anyone give some (historical) reason for that?







typography






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  • 2




    Hi Stone-Zeng, welcome to GDSE and thanks for your question. If you want to know more about the site, please see the help center or feel free to join us in the Graphic Design Chat. Keep contributing and enjoy the site!
    – Vincent
    3 hours ago












  • 2




    Hi Stone-Zeng, welcome to GDSE and thanks for your question. If you want to know more about the site, please see the help center or feel free to join us in the Graphic Design Chat. Keep contributing and enjoy the site!
    – Vincent
    3 hours ago







2




2




Hi Stone-Zeng, welcome to GDSE and thanks for your question. If you want to know more about the site, please see the help center or feel free to join us in the Graphic Design Chat. Keep contributing and enjoy the site!
– Vincent
3 hours ago




Hi Stone-Zeng, welcome to GDSE and thanks for your question. If you want to know more about the site, please see the help center or feel free to join us in the Graphic Design Chat. Keep contributing and enjoy the site!
– Vincent
3 hours ago










2 Answers
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The uncial h



The Garamond Roman typography designed by Claude Garamond, is one of the first Roman typefaces designed specifically for the novel printing system of the Middle Ages, expanded throughout Europe. Hence, its design is well studied and adjusted within a modulation, but in essence many of its lines continue to maintain the trait of manual writing of the scribes of the time. No just in the character h, but also the J, R, j, Q...



Garamond BentonGaramond Italic designed by Morris Fuller Benton in 1917 (source flickr)



The printing press not only served to print and distribute books, but also to unify all the Latin Nationals lowercase in the only standard Carolingian minuscule, name due to Emperor Charlemagne, the architect of the unification. Until then, the scribes of each European country had their customs about writing and each character differed considerably. Among them the round h.



This image perfectly shows the evolution of the first manual Sweynheym & Pannartz's Romans, practically equal to the calligraphy of the scribes, to the best graphically constructed and adapted to the printing system.



enter image description here




Spira and most of the earliest printers in Venice used a round h (the uncial construction of h) that was more common in the humanistic manuscripts of the time.⁠




We should have in mind that the Garamond we see today has already gone through many processes of redesign, from the "insert into a grid" of the XVIII th century, to Morris Benton's drawings at the beginning of the 20th century, the photographic adaptation of the mid-20th century until reaching the digital age. Even so, many of its essential features are maintained.



Although all the current classic typefaces keep the Carolingian minuscule, some historical like Garamond Font prefer to retain part of these old characteristics as an essence of its origin.



More explanation about Roman evolution here






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    2
    down vote













    The historical reason is that early italic typefaces were based on handwritten cursive lettering which was popular at the time during the early 1500s when these typefaces were first developed for printing.



    The origin of cursive scripts was uncial lettering which evolved in the 4th to 8th centuries, and which ultimately came from Roman hand written cursive scripts used during classical times. These early cursive scripts also eventually developed into modern miniscule (lowercase) letter forms.






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      2 Answers
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      2 Answers
      2






      active

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      active

      oldest

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      active

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      up vote
      3
      down vote













      The uncial h



      The Garamond Roman typography designed by Claude Garamond, is one of the first Roman typefaces designed specifically for the novel printing system of the Middle Ages, expanded throughout Europe. Hence, its design is well studied and adjusted within a modulation, but in essence many of its lines continue to maintain the trait of manual writing of the scribes of the time. No just in the character h, but also the J, R, j, Q...



      Garamond BentonGaramond Italic designed by Morris Fuller Benton in 1917 (source flickr)



      The printing press not only served to print and distribute books, but also to unify all the Latin Nationals lowercase in the only standard Carolingian minuscule, name due to Emperor Charlemagne, the architect of the unification. Until then, the scribes of each European country had their customs about writing and each character differed considerably. Among them the round h.



      This image perfectly shows the evolution of the first manual Sweynheym & Pannartz's Romans, practically equal to the calligraphy of the scribes, to the best graphically constructed and adapted to the printing system.



      enter image description here




      Spira and most of the earliest printers in Venice used a round h (the uncial construction of h) that was more common in the humanistic manuscripts of the time.⁠




      We should have in mind that the Garamond we see today has already gone through many processes of redesign, from the "insert into a grid" of the XVIII th century, to Morris Benton's drawings at the beginning of the 20th century, the photographic adaptation of the mid-20th century until reaching the digital age. Even so, many of its essential features are maintained.



      Although all the current classic typefaces keep the Carolingian minuscule, some historical like Garamond Font prefer to retain part of these old characteristics as an essence of its origin.



      More explanation about Roman evolution here






      share|improve this answer


























        up vote
        3
        down vote













        The uncial h



        The Garamond Roman typography designed by Claude Garamond, is one of the first Roman typefaces designed specifically for the novel printing system of the Middle Ages, expanded throughout Europe. Hence, its design is well studied and adjusted within a modulation, but in essence many of its lines continue to maintain the trait of manual writing of the scribes of the time. No just in the character h, but also the J, R, j, Q...



        Garamond BentonGaramond Italic designed by Morris Fuller Benton in 1917 (source flickr)



        The printing press not only served to print and distribute books, but also to unify all the Latin Nationals lowercase in the only standard Carolingian minuscule, name due to Emperor Charlemagne, the architect of the unification. Until then, the scribes of each European country had their customs about writing and each character differed considerably. Among them the round h.



        This image perfectly shows the evolution of the first manual Sweynheym & Pannartz's Romans, practically equal to the calligraphy of the scribes, to the best graphically constructed and adapted to the printing system.



        enter image description here




        Spira and most of the earliest printers in Venice used a round h (the uncial construction of h) that was more common in the humanistic manuscripts of the time.⁠




        We should have in mind that the Garamond we see today has already gone through many processes of redesign, from the "insert into a grid" of the XVIII th century, to Morris Benton's drawings at the beginning of the 20th century, the photographic adaptation of the mid-20th century until reaching the digital age. Even so, many of its essential features are maintained.



        Although all the current classic typefaces keep the Carolingian minuscule, some historical like Garamond Font prefer to retain part of these old characteristics as an essence of its origin.



        More explanation about Roman evolution here






        share|improve this answer
























          up vote
          3
          down vote










          up vote
          3
          down vote









          The uncial h



          The Garamond Roman typography designed by Claude Garamond, is one of the first Roman typefaces designed specifically for the novel printing system of the Middle Ages, expanded throughout Europe. Hence, its design is well studied and adjusted within a modulation, but in essence many of its lines continue to maintain the trait of manual writing of the scribes of the time. No just in the character h, but also the J, R, j, Q...



          Garamond BentonGaramond Italic designed by Morris Fuller Benton in 1917 (source flickr)



          The printing press not only served to print and distribute books, but also to unify all the Latin Nationals lowercase in the only standard Carolingian minuscule, name due to Emperor Charlemagne, the architect of the unification. Until then, the scribes of each European country had their customs about writing and each character differed considerably. Among them the round h.



          This image perfectly shows the evolution of the first manual Sweynheym & Pannartz's Romans, practically equal to the calligraphy of the scribes, to the best graphically constructed and adapted to the printing system.



          enter image description here




          Spira and most of the earliest printers in Venice used a round h (the uncial construction of h) that was more common in the humanistic manuscripts of the time.⁠




          We should have in mind that the Garamond we see today has already gone through many processes of redesign, from the "insert into a grid" of the XVIII th century, to Morris Benton's drawings at the beginning of the 20th century, the photographic adaptation of the mid-20th century until reaching the digital age. Even so, many of its essential features are maintained.



          Although all the current classic typefaces keep the Carolingian minuscule, some historical like Garamond Font prefer to retain part of these old characteristics as an essence of its origin.



          More explanation about Roman evolution here






          share|improve this answer














          The uncial h



          The Garamond Roman typography designed by Claude Garamond, is one of the first Roman typefaces designed specifically for the novel printing system of the Middle Ages, expanded throughout Europe. Hence, its design is well studied and adjusted within a modulation, but in essence many of its lines continue to maintain the trait of manual writing of the scribes of the time. No just in the character h, but also the J, R, j, Q...



          Garamond BentonGaramond Italic designed by Morris Fuller Benton in 1917 (source flickr)



          The printing press not only served to print and distribute books, but also to unify all the Latin Nationals lowercase in the only standard Carolingian minuscule, name due to Emperor Charlemagne, the architect of the unification. Until then, the scribes of each European country had their customs about writing and each character differed considerably. Among them the round h.



          This image perfectly shows the evolution of the first manual Sweynheym & Pannartz's Romans, practically equal to the calligraphy of the scribes, to the best graphically constructed and adapted to the printing system.



          enter image description here




          Spira and most of the earliest printers in Venice used a round h (the uncial construction of h) that was more common in the humanistic manuscripts of the time.⁠




          We should have in mind that the Garamond we see today has already gone through many processes of redesign, from the "insert into a grid" of the XVIII th century, to Morris Benton's drawings at the beginning of the 20th century, the photographic adaptation of the mid-20th century until reaching the digital age. Even so, many of its essential features are maintained.



          Although all the current classic typefaces keep the Carolingian minuscule, some historical like Garamond Font prefer to retain part of these old characteristics as an essence of its origin.



          More explanation about Roman evolution here







          share|improve this answer














          share|improve this answer



          share|improve this answer








          edited 2 hours ago

























          answered 2 hours ago









          Danielillo

          12.7k11750




          12.7k11750




















              up vote
              2
              down vote













              The historical reason is that early italic typefaces were based on handwritten cursive lettering which was popular at the time during the early 1500s when these typefaces were first developed for printing.



              The origin of cursive scripts was uncial lettering which evolved in the 4th to 8th centuries, and which ultimately came from Roman hand written cursive scripts used during classical times. These early cursive scripts also eventually developed into modern miniscule (lowercase) letter forms.






              share|improve this answer


























                up vote
                2
                down vote













                The historical reason is that early italic typefaces were based on handwritten cursive lettering which was popular at the time during the early 1500s when these typefaces were first developed for printing.



                The origin of cursive scripts was uncial lettering which evolved in the 4th to 8th centuries, and which ultimately came from Roman hand written cursive scripts used during classical times. These early cursive scripts also eventually developed into modern miniscule (lowercase) letter forms.






                share|improve this answer
























                  up vote
                  2
                  down vote










                  up vote
                  2
                  down vote









                  The historical reason is that early italic typefaces were based on handwritten cursive lettering which was popular at the time during the early 1500s when these typefaces were first developed for printing.



                  The origin of cursive scripts was uncial lettering which evolved in the 4th to 8th centuries, and which ultimately came from Roman hand written cursive scripts used during classical times. These early cursive scripts also eventually developed into modern miniscule (lowercase) letter forms.






                  share|improve this answer














                  The historical reason is that early italic typefaces were based on handwritten cursive lettering which was popular at the time during the early 1500s when these typefaces were first developed for printing.



                  The origin of cursive scripts was uncial lettering which evolved in the 4th to 8th centuries, and which ultimately came from Roman hand written cursive scripts used during classical times. These early cursive scripts also eventually developed into modern miniscule (lowercase) letter forms.







                  share|improve this answer














                  share|improve this answer



                  share|improve this answer








                  edited 15 mins ago

























                  answered 22 mins ago









                  Billy Kerr

                  23.3k21954




                  23.3k21954




















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