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Are there songs that are in the chromatic scale?
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I noticed Entry of the Gladiators is said to be in C major, but I was wondering if it could be in the chromatic scale since it uses all the notes. And if not, are there examples of songs that are considered to be in the chromatic scale?
scales chromatic
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foreyez
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up vote
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I noticed Entry of the Gladiators is said to be in C major, but I was wondering if it could be in the chromatic scale since it uses all the notes. And if not, are there examples of songs that are considered to be in the chromatic scale?
scales chromatic
asked 3 hours ago
foreyez
3,53622057
add a comment |Â
up vote
3
down vote
favorite
up vote
3
down vote
favorite
I noticed Entry of the Gladiators is said to be in C major, but I was wondering if it could be in the chromatic scale since it uses all the notes. And if not, are there examples of songs that are considered to be in the chromatic scale?
scales chromatic
asked 3 hours ago
foreyez
3,53622057
I noticed Entry of the Gladiators is said to be in C major, but I was wondering if it could be in the chromatic scale since it uses all the notes. And if not, are there examples of songs that are considered to be in the chromatic scale?
scales chromatic
scales chromatic
asked 3 hours ago
foreyez
3,53622057
asked 3 hours ago
foreyez
3,53622057
asked 3 hours ago
foreyez
3,53622057
asked 3 hours ago
foreyez
3,53622057
asked 3 hours ago
foreyez
3,53622057
3,53622057
add a comment |Â
add a comment |Â
1 Answer
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Colloquially, we don't say pieces are "in the chromatic scale," no. We can say that a piece is in C major, or even just in C (not specifying major or minor), but not that something is in the chromatic scale.
One reason this might be so is due to the inherent hierarchy of tonality. If a piece is in C, arguably the two most important pitches will be C and G. A♯, however, will be comparatively low on that hierarchy. Therefore, saying a piece is in the key of "chromatic" or even "C chromatic" starts to muddy up the hierarchy that gave the piece sense of tonic in the first place. In contrast, saying a piece is "in C" gives us an immediate sense of that tonal hierarchy.
Around approximately 1920, composers such as Arnold Schoenberg viewed the increasing chromaticism of the earlier century (by composers like Wagner, Bruckner, and Mahler) as moving inexorably towards complete chromaticism. This is ultimately what spurned the notion of atonal music, which is music without a tonic. One branch of atonal music is serial music, wherein a piece is constructed using a pre-determined matrix of pitches. (This is a very basic definition, but it works for this answer.)
I say this because, in music without a tonic, we could in theory speak of it as being "in the chromatic scale" since there is no hierarchy of pitches. (Schoenberg famously spoke of the "democracy of tones" in this music.) But still it boils down to the fact that we just don't say something is "in the chromatic scale"; we'd just say it's atonal (or non-tonal) instead.
answered 3 hours ago
Richard
31.3k667132
Another composer to check out is Charles Ives. He wrote many songs. While the songs are (mostly) not 12 tone music like Schoenberg, they can be very unusual form a tonal perspective.
– Michael Curtis
1 hour ago
add a comment |Â
1 Answer
1
active
oldest
votes
1 Answer
1
active
oldest
votes
active
oldest
votes
active
oldest
votes
up vote
5
down vote
Colloquially, we don't say pieces are "in the chromatic scale," no. We can say that a piece is in C major, or even just in C (not specifying major or minor), but not that something is in the chromatic scale.
One reason this might be so is due to the inherent hierarchy of tonality. If a piece is in C, arguably the two most important pitches will be C and G. A♯, however, will be comparatively low on that hierarchy. Therefore, saying a piece is in the key of "chromatic" or even "C chromatic" starts to muddy up the hierarchy that gave the piece sense of tonic in the first place. In contrast, saying a piece is "in C" gives us an immediate sense of that tonal hierarchy.
Around approximately 1920, composers such as Arnold Schoenberg viewed the increasing chromaticism of the earlier century (by composers like Wagner, Bruckner, and Mahler) as moving inexorably towards complete chromaticism. This is ultimately what spurned the notion of atonal music, which is music without a tonic. One branch of atonal music is serial music, wherein a piece is constructed using a pre-determined matrix of pitches. (This is a very basic definition, but it works for this answer.)
I say this because, in music without a tonic, we could in theory speak of it as being "in the chromatic scale" since there is no hierarchy of pitches. (Schoenberg famously spoke of the "democracy of tones" in this music.) But still it boils down to the fact that we just don't say something is "in the chromatic scale"; we'd just say it's atonal (or non-tonal) instead.
answered 3 hours ago
Richard
31.3k667132
Another composer to check out is Charles Ives. He wrote many songs. While the songs are (mostly) not 12 tone music like Schoenberg, they can be very unusual form a tonal perspective.
– Michael Curtis
1 hour ago
add a comment |Â
up vote
5
down vote
Colloquially, we don't say pieces are "in the chromatic scale," no. We can say that a piece is in C major, or even just in C (not specifying major or minor), but not that something is in the chromatic scale.
One reason this might be so is due to the inherent hierarchy of tonality. If a piece is in C, arguably the two most important pitches will be C and G. A♯, however, will be comparatively low on that hierarchy. Therefore, saying a piece is in the key of "chromatic" or even "C chromatic" starts to muddy up the hierarchy that gave the piece sense of tonic in the first place. In contrast, saying a piece is "in C" gives us an immediate sense of that tonal hierarchy.
Around approximately 1920, composers such as Arnold Schoenberg viewed the increasing chromaticism of the earlier century (by composers like Wagner, Bruckner, and Mahler) as moving inexorably towards complete chromaticism. This is ultimately what spurned the notion of atonal music, which is music without a tonic. One branch of atonal music is serial music, wherein a piece is constructed using a pre-determined matrix of pitches. (This is a very basic definition, but it works for this answer.)
I say this because, in music without a tonic, we could in theory speak of it as being "in the chromatic scale" since there is no hierarchy of pitches. (Schoenberg famously spoke of the "democracy of tones" in this music.) But still it boils down to the fact that we just don't say something is "in the chromatic scale"; we'd just say it's atonal (or non-tonal) instead.
answered 3 hours ago
Richard
31.3k667132
Another composer to check out is Charles Ives. He wrote many songs. While the songs are (mostly) not 12 tone music like Schoenberg, they can be very unusual form a tonal perspective.
– Michael Curtis
1 hour ago
add a comment |Â
up vote
5
down vote
up vote
5
down vote
Colloquially, we don't say pieces are "in the chromatic scale," no. We can say that a piece is in C major, or even just in C (not specifying major or minor), but not that something is in the chromatic scale.
One reason this might be so is due to the inherent hierarchy of tonality. If a piece is in C, arguably the two most important pitches will be C and G. A♯, however, will be comparatively low on that hierarchy. Therefore, saying a piece is in the key of "chromatic" or even "C chromatic" starts to muddy up the hierarchy that gave the piece sense of tonic in the first place. In contrast, saying a piece is "in C" gives us an immediate sense of that tonal hierarchy.
Around approximately 1920, composers such as Arnold Schoenberg viewed the increasing chromaticism of the earlier century (by composers like Wagner, Bruckner, and Mahler) as moving inexorably towards complete chromaticism. This is ultimately what spurned the notion of atonal music, which is music without a tonic. One branch of atonal music is serial music, wherein a piece is constructed using a pre-determined matrix of pitches. (This is a very basic definition, but it works for this answer.)
I say this because, in music without a tonic, we could in theory speak of it as being "in the chromatic scale" since there is no hierarchy of pitches. (Schoenberg famously spoke of the "democracy of tones" in this music.) But still it boils down to the fact that we just don't say something is "in the chromatic scale"; we'd just say it's atonal (or non-tonal) instead.
answered 3 hours ago
Richard
31.3k667132
Colloquially, we don't say pieces are "in the chromatic scale," no. We can say that a piece is in C major, or even just in C (not specifying major or minor), but not that something is in the chromatic scale.
One reason this might be so is due to the inherent hierarchy of tonality. If a piece is in C, arguably the two most important pitches will be C and G. A♯, however, will be comparatively low on that hierarchy. Therefore, saying a piece is in the key of "chromatic" or even "C chromatic" starts to muddy up the hierarchy that gave the piece sense of tonic in the first place. In contrast, saying a piece is "in C" gives us an immediate sense of that tonal hierarchy.
Around approximately 1920, composers such as Arnold Schoenberg viewed the increasing chromaticism of the earlier century (by composers like Wagner, Bruckner, and Mahler) as moving inexorably towards complete chromaticism. This is ultimately what spurned the notion of atonal music, which is music without a tonic. One branch of atonal music is serial music, wherein a piece is constructed using a pre-determined matrix of pitches. (This is a very basic definition, but it works for this answer.)
I say this because, in music without a tonic, we could in theory speak of it as being "in the chromatic scale" since there is no hierarchy of pitches. (Schoenberg famously spoke of the "democracy of tones" in this music.) But still it boils down to the fact that we just don't say something is "in the chromatic scale"; we'd just say it's atonal (or non-tonal) instead.
answered 3 hours ago
Richard
31.3k667132
answered 3 hours ago
Richard
31.3k667132
answered 3 hours ago
Richard
31.3k667132
answered 3 hours ago
Richard
31.3k667132
31.3k667132
Another composer to check out is Charles Ives. He wrote many songs. While the songs are (mostly) not 12 tone music like Schoenberg, they can be very unusual form a tonal perspective.
– Michael Curtis
1 hour ago
add a comment |Â
Another composer to check out is Charles Ives. He wrote many songs. While the songs are (mostly) not 12 tone music like Schoenberg, they can be very unusual form a tonal perspective.
– Michael Curtis
1 hour ago
Another composer to check out is Charles Ives. He wrote many songs. While the songs are (mostly) not 12 tone music like Schoenberg, they can be very unusual form a tonal perspective.
– Michael Curtis
1 hour ago
Another composer to check out is Charles Ives. He wrote many songs. While the songs are (mostly) not 12 tone music like Schoenberg, they can be very unusual form a tonal perspective.
– Michael Curtis
1 hour ago
add a comment |Â
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