What is the “Water Glass” training technique for learning to hold a camera steady?

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I have heard something about photographers getting trained like butlers by walking with an full glass of water on their hand and removing fingers one by one.



As I have heard, that training technique makes the photographers hands less shaky but does that technique really exist or its just another fake urban story ?



Also what is the name of that technique?






camera-shake hand-held handling







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  • 1




    Can't say I've ever heard of this - super interested to see what comes! As far as technique is concerned, I've found standing rifle shooting to provide better muscle training for steadiness.
    – Hueco
    9 hours ago










  • Less shaky hands sound like a good thing to have, because they hold the camera. But when you think about it: it seems to be a lot more effective to use your whole body to stabilise the camera position if need be.
    – null
    8 hours ago






  • 9




    We carried the glasses on the backs of our hands to the peak of a mountain, while it was snowing, to water the gardens. We also spent hours meditating. The great masters don't even need cameras. You can hand them film, photo paper, memory cards, or whatever. They make clicking sounds, and the images appear.
    – xiota
    8 hours ago






  • 1




    Don't forget to attach the knives.
    – junkyardsparkle
    6 hours ago










  • @xiota You had to carry the gardens, while it was snowing? You're sure it as snow and not some fallout? :p
    – Alexander von Wernherr
    14 mins ago














up vote
2
down vote

favorite












I have heard something about photographers getting trained like butlers by walking with an full glass of water on their hand and removing fingers one by one.



As I have heard, that training technique makes the photographers hands less shaky but does that technique really exist or its just another fake urban story ?



Also what is the name of that technique?






camera-shake hand-held handling







share|improve this question









New contributor




Jonathan Irons is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.















  • 1




    Can't say I've ever heard of this - super interested to see what comes! As far as technique is concerned, I've found standing rifle shooting to provide better muscle training for steadiness.
    – Hueco
    9 hours ago










  • Less shaky hands sound like a good thing to have, because they hold the camera. But when you think about it: it seems to be a lot more effective to use your whole body to stabilise the camera position if need be.
    – null
    8 hours ago






  • 9




    We carried the glasses on the backs of our hands to the peak of a mountain, while it was snowing, to water the gardens. We also spent hours meditating. The great masters don't even need cameras. You can hand them film, photo paper, memory cards, or whatever. They make clicking sounds, and the images appear.
    – xiota
    8 hours ago






  • 1




    Don't forget to attach the knives.
    – junkyardsparkle
    6 hours ago










  • @xiota You had to carry the gardens, while it was snowing? You're sure it as snow and not some fallout? :p
    – Alexander von Wernherr
    14 mins ago












up vote
2
down vote

favorite









up vote
2
down vote

favorite











I have heard something about photographers getting trained like butlers by walking with an full glass of water on their hand and removing fingers one by one.



As I have heard, that training technique makes the photographers hands less shaky but does that technique really exist or its just another fake urban story ?



Also what is the name of that technique?






camera-shake hand-held handling







share|improve this question









New contributor




Jonathan Irons is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.











I have heard something about photographers getting trained like butlers by walking with an full glass of water on their hand and removing fingers one by one.



As I have heard, that training technique makes the photographers hands less shaky but does that technique really exist or its just another fake urban story ?



Also what is the name of that technique?






camera-shake hand-held handling




camera-shake hand-held handling






share|improve this question









New contributor




Jonathan Irons is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.











share|improve this question









New contributor




Jonathan Irons is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.









share|improve this question




share|improve this question








edited 6 hours ago









mattdm

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New contributor




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asked 11 hours ago









Jonathan Irons

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1173




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Check out our Code of Conduct.





New contributor





Jonathan Irons is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.






Jonathan Irons is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.







  • 1




    Can't say I've ever heard of this - super interested to see what comes! As far as technique is concerned, I've found standing rifle shooting to provide better muscle training for steadiness.
    – Hueco
    9 hours ago










  • Less shaky hands sound like a good thing to have, because they hold the camera. But when you think about it: it seems to be a lot more effective to use your whole body to stabilise the camera position if need be.
    – null
    8 hours ago






  • 9




    We carried the glasses on the backs of our hands to the peak of a mountain, while it was snowing, to water the gardens. We also spent hours meditating. The great masters don't even need cameras. You can hand them film, photo paper, memory cards, or whatever. They make clicking sounds, and the images appear.
    – xiota
    8 hours ago






  • 1




    Don't forget to attach the knives.
    – junkyardsparkle
    6 hours ago










  • @xiota You had to carry the gardens, while it was snowing? You're sure it as snow and not some fallout? :p
    – Alexander von Wernherr
    14 mins ago












  • 1




    Can't say I've ever heard of this - super interested to see what comes! As far as technique is concerned, I've found standing rifle shooting to provide better muscle training for steadiness.
    – Hueco
    9 hours ago










  • Less shaky hands sound like a good thing to have, because they hold the camera. But when you think about it: it seems to be a lot more effective to use your whole body to stabilise the camera position if need be.
    – null
    8 hours ago






  • 9




    We carried the glasses on the backs of our hands to the peak of a mountain, while it was snowing, to water the gardens. We also spent hours meditating. The great masters don't even need cameras. You can hand them film, photo paper, memory cards, or whatever. They make clicking sounds, and the images appear.
    – xiota
    8 hours ago






  • 1




    Don't forget to attach the knives.
    – junkyardsparkle
    6 hours ago










  • @xiota You had to carry the gardens, while it was snowing? You're sure it as snow and not some fallout? :p
    – Alexander von Wernherr
    14 mins ago







1




1




Can't say I've ever heard of this - super interested to see what comes! As far as technique is concerned, I've found standing rifle shooting to provide better muscle training for steadiness.
– Hueco
9 hours ago




Can't say I've ever heard of this - super interested to see what comes! As far as technique is concerned, I've found standing rifle shooting to provide better muscle training for steadiness.
– Hueco
9 hours ago












Less shaky hands sound like a good thing to have, because they hold the camera. But when you think about it: it seems to be a lot more effective to use your whole body to stabilise the camera position if need be.
– null
8 hours ago




Less shaky hands sound like a good thing to have, because they hold the camera. But when you think about it: it seems to be a lot more effective to use your whole body to stabilise the camera position if need be.
– null
8 hours ago




9




9




We carried the glasses on the backs of our hands to the peak of a mountain, while it was snowing, to water the gardens. We also spent hours meditating. The great masters don't even need cameras. You can hand them film, photo paper, memory cards, or whatever. They make clicking sounds, and the images appear.
– xiota
8 hours ago




We carried the glasses on the backs of our hands to the peak of a mountain, while it was snowing, to water the gardens. We also spent hours meditating. The great masters don't even need cameras. You can hand them film, photo paper, memory cards, or whatever. They make clicking sounds, and the images appear.
– xiota
8 hours ago




1




1




Don't forget to attach the knives.
– junkyardsparkle
6 hours ago




Don't forget to attach the knives.
– junkyardsparkle
6 hours ago












@xiota You had to carry the gardens, while it was snowing? You're sure it as snow and not some fallout? :p
– Alexander von Wernherr
14 mins ago




@xiota You had to carry the gardens, while it was snowing? You're sure it as snow and not some fallout? :p
– Alexander von Wernherr
14 mins ago










3 Answers
3






active

oldest

votes

















up vote
3
down vote













Now I will tell you a real training exercise. Train yourself to hand-hold the camera with a steady and non-jerking stroke when pressing the shutter release. Place an operating flashlight on a book shelf or mantel, at eyelevel height. Mount a small mirror before the camera lens. Use masking tape.



Assume a picture taking position. Adjust yourself and camera so the light beam from the flashlight reflects off the mirror and projects a spot of light on the wall. Practice holding the camera and pressing the shutter release, all the while observe the light spot for movement.



Practice until you can execute this deed with a steady hand. You will need to practice breath control if you train yourself for a hand-held prolonged exposure.






share|improve this answer




















  • Nowadays you can just buy a cheap cat-toy laser and tape it to your lens. ;)
    – junkyardsparkle
    6 hours ago






  • 1




    @ junkyardsparkle -- Good idea - a tip of the hat from Alan Marcus
    – Alan Marcus
    4 hours ago

















up vote
3
down vote













I don't think I've ever heard of it, and I've been reading about camera stabilization techniques since the 1980s. If I have ever heard of it, I have since forgotten it to the point that even this discussion does not jog a memory.



Most instructionals emphasize holding the arms against the body (or other solid objects such as a wall, or a tree, etc.) so that the hands have nowhere much to move. They also tend to talk about using the same breathing techniques that military sharpshooters are taught to increase their accuracy and consistency with firearms.






share|improve this answer



























    up vote
    1
    down vote













    I am not familiar with that technique and to be honest, I don't recall any training or practice to help holding the camera steady. This is because of two factors: holding the camera correctly, and understanding the impact of shutter speed on motion.



    I suggest doing a google search on 'how to hold a camera', where you will be linked to many stories such as this one. Providing the proper support to your camera will bring significant stability, and reduce 'shake'.



    Of course, ensuring that you are shooting at the proper shutter speed is critical as well, and likely the largest noticeable impact to your images. An old 'rule of thumb' for full frame cameras was to ensure that you shoot and a shutter speed above the 1/focal length of the lens you are using: if you are shooting at 70mm, ensure your shutterspeed is above 1/70th. Likewise, if shooting at 200mm, shoot above 1/200th. In general, you should ensure that any hand held shooting occurs at 1/60th or above, though these days with stabilization and crop sensors, it is no longer a very useful gauge, only a simple reminder to ensure you are shooting at the proper shutter speed for your conditions.



    You will notice photographers using long lenses, such as during sporting events or perhaps shooting wildlife. This is because many use very long lenses, and they need shutter speeds lower than the focal length.






    share|improve this answer
















    • 1




      "You will notice photographers using long lenses [...]. This is because many use very long lenses" - Was that supposed to happen or did you mean something else? I'm confused about that last paragraph.
      – confetti
      5 hours ago










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    3 Answers
    3






    active

    oldest

    votes








    3 Answers
    3






    active

    oldest

    votes









    active

    oldest

    votes






    active

    oldest

    votes








    up vote
    3
    down vote













    Now I will tell you a real training exercise. Train yourself to hand-hold the camera with a steady and non-jerking stroke when pressing the shutter release. Place an operating flashlight on a book shelf or mantel, at eyelevel height. Mount a small mirror before the camera lens. Use masking tape.



    Assume a picture taking position. Adjust yourself and camera so the light beam from the flashlight reflects off the mirror and projects a spot of light on the wall. Practice holding the camera and pressing the shutter release, all the while observe the light spot for movement.



    Practice until you can execute this deed with a steady hand. You will need to practice breath control if you train yourself for a hand-held prolonged exposure.






    share|improve this answer




















    • Nowadays you can just buy a cheap cat-toy laser and tape it to your lens. ;)
      – junkyardsparkle
      6 hours ago






    • 1




      @ junkyardsparkle -- Good idea - a tip of the hat from Alan Marcus
      – Alan Marcus
      4 hours ago














    up vote
    3
    down vote













    Now I will tell you a real training exercise. Train yourself to hand-hold the camera with a steady and non-jerking stroke when pressing the shutter release. Place an operating flashlight on a book shelf or mantel, at eyelevel height. Mount a small mirror before the camera lens. Use masking tape.



    Assume a picture taking position. Adjust yourself and camera so the light beam from the flashlight reflects off the mirror and projects a spot of light on the wall. Practice holding the camera and pressing the shutter release, all the while observe the light spot for movement.



    Practice until you can execute this deed with a steady hand. You will need to practice breath control if you train yourself for a hand-held prolonged exposure.






    share|improve this answer




















    • Nowadays you can just buy a cheap cat-toy laser and tape it to your lens. ;)
      – junkyardsparkle
      6 hours ago






    • 1




      @ junkyardsparkle -- Good idea - a tip of the hat from Alan Marcus
      – Alan Marcus
      4 hours ago












    up vote
    3
    down vote










    up vote
    3
    down vote









    Now I will tell you a real training exercise. Train yourself to hand-hold the camera with a steady and non-jerking stroke when pressing the shutter release. Place an operating flashlight on a book shelf or mantel, at eyelevel height. Mount a small mirror before the camera lens. Use masking tape.



    Assume a picture taking position. Adjust yourself and camera so the light beam from the flashlight reflects off the mirror and projects a spot of light on the wall. Practice holding the camera and pressing the shutter release, all the while observe the light spot for movement.



    Practice until you can execute this deed with a steady hand. You will need to practice breath control if you train yourself for a hand-held prolonged exposure.






    share|improve this answer












    Now I will tell you a real training exercise. Train yourself to hand-hold the camera with a steady and non-jerking stroke when pressing the shutter release. Place an operating flashlight on a book shelf or mantel, at eyelevel height. Mount a small mirror before the camera lens. Use masking tape.



    Assume a picture taking position. Adjust yourself and camera so the light beam from the flashlight reflects off the mirror and projects a spot of light on the wall. Practice holding the camera and pressing the shutter release, all the while observe the light spot for movement.



    Practice until you can execute this deed with a steady hand. You will need to practice breath control if you train yourself for a hand-held prolonged exposure.







    share|improve this answer












    share|improve this answer



    share|improve this answer










    answered 9 hours ago









    Alan Marcus

    23.6k12756




    23.6k12756











    • Nowadays you can just buy a cheap cat-toy laser and tape it to your lens. ;)
      – junkyardsparkle
      6 hours ago






    • 1




      @ junkyardsparkle -- Good idea - a tip of the hat from Alan Marcus
      – Alan Marcus
      4 hours ago
















    • Nowadays you can just buy a cheap cat-toy laser and tape it to your lens. ;)
      – junkyardsparkle
      6 hours ago






    • 1




      @ junkyardsparkle -- Good idea - a tip of the hat from Alan Marcus
      – Alan Marcus
      4 hours ago















    Nowadays you can just buy a cheap cat-toy laser and tape it to your lens. ;)
    – junkyardsparkle
    6 hours ago




    Nowadays you can just buy a cheap cat-toy laser and tape it to your lens. ;)
    – junkyardsparkle
    6 hours ago




    1




    1




    @ junkyardsparkle -- Good idea - a tip of the hat from Alan Marcus
    – Alan Marcus
    4 hours ago




    @ junkyardsparkle -- Good idea - a tip of the hat from Alan Marcus
    – Alan Marcus
    4 hours ago












    up vote
    3
    down vote













    I don't think I've ever heard of it, and I've been reading about camera stabilization techniques since the 1980s. If I have ever heard of it, I have since forgotten it to the point that even this discussion does not jog a memory.



    Most instructionals emphasize holding the arms against the body (or other solid objects such as a wall, or a tree, etc.) so that the hands have nowhere much to move. They also tend to talk about using the same breathing techniques that military sharpshooters are taught to increase their accuracy and consistency with firearms.






    share|improve this answer
























      up vote
      3
      down vote













      I don't think I've ever heard of it, and I've been reading about camera stabilization techniques since the 1980s. If I have ever heard of it, I have since forgotten it to the point that even this discussion does not jog a memory.



      Most instructionals emphasize holding the arms against the body (or other solid objects such as a wall, or a tree, etc.) so that the hands have nowhere much to move. They also tend to talk about using the same breathing techniques that military sharpshooters are taught to increase their accuracy and consistency with firearms.






      share|improve this answer






















        up vote
        3
        down vote










        up vote
        3
        down vote









        I don't think I've ever heard of it, and I've been reading about camera stabilization techniques since the 1980s. If I have ever heard of it, I have since forgotten it to the point that even this discussion does not jog a memory.



        Most instructionals emphasize holding the arms against the body (or other solid objects such as a wall, or a tree, etc.) so that the hands have nowhere much to move. They also tend to talk about using the same breathing techniques that military sharpshooters are taught to increase their accuracy and consistency with firearms.






        share|improve this answer












        I don't think I've ever heard of it, and I've been reading about camera stabilization techniques since the 1980s. If I have ever heard of it, I have since forgotten it to the point that even this discussion does not jog a memory.



        Most instructionals emphasize holding the arms against the body (or other solid objects such as a wall, or a tree, etc.) so that the hands have nowhere much to move. They also tend to talk about using the same breathing techniques that military sharpshooters are taught to increase their accuracy and consistency with firearms.







        share|improve this answer












        share|improve this answer



        share|improve this answer










        answered 3 hours ago









        Michael Clark

        122k7138344




        122k7138344




















            up vote
            1
            down vote













            I am not familiar with that technique and to be honest, I don't recall any training or practice to help holding the camera steady. This is because of two factors: holding the camera correctly, and understanding the impact of shutter speed on motion.



            I suggest doing a google search on 'how to hold a camera', where you will be linked to many stories such as this one. Providing the proper support to your camera will bring significant stability, and reduce 'shake'.



            Of course, ensuring that you are shooting at the proper shutter speed is critical as well, and likely the largest noticeable impact to your images. An old 'rule of thumb' for full frame cameras was to ensure that you shoot and a shutter speed above the 1/focal length of the lens you are using: if you are shooting at 70mm, ensure your shutterspeed is above 1/70th. Likewise, if shooting at 200mm, shoot above 1/200th. In general, you should ensure that any hand held shooting occurs at 1/60th or above, though these days with stabilization and crop sensors, it is no longer a very useful gauge, only a simple reminder to ensure you are shooting at the proper shutter speed for your conditions.



            You will notice photographers using long lenses, such as during sporting events or perhaps shooting wildlife. This is because many use very long lenses, and they need shutter speeds lower than the focal length.






            share|improve this answer
















            • 1




              "You will notice photographers using long lenses [...]. This is because many use very long lenses" - Was that supposed to happen or did you mean something else? I'm confused about that last paragraph.
              – confetti
              5 hours ago














            up vote
            1
            down vote













            I am not familiar with that technique and to be honest, I don't recall any training or practice to help holding the camera steady. This is because of two factors: holding the camera correctly, and understanding the impact of shutter speed on motion.



            I suggest doing a google search on 'how to hold a camera', where you will be linked to many stories such as this one. Providing the proper support to your camera will bring significant stability, and reduce 'shake'.



            Of course, ensuring that you are shooting at the proper shutter speed is critical as well, and likely the largest noticeable impact to your images. An old 'rule of thumb' for full frame cameras was to ensure that you shoot and a shutter speed above the 1/focal length of the lens you are using: if you are shooting at 70mm, ensure your shutterspeed is above 1/70th. Likewise, if shooting at 200mm, shoot above 1/200th. In general, you should ensure that any hand held shooting occurs at 1/60th or above, though these days with stabilization and crop sensors, it is no longer a very useful gauge, only a simple reminder to ensure you are shooting at the proper shutter speed for your conditions.



            You will notice photographers using long lenses, such as during sporting events or perhaps shooting wildlife. This is because many use very long lenses, and they need shutter speeds lower than the focal length.






            share|improve this answer
















            • 1




              "You will notice photographers using long lenses [...]. This is because many use very long lenses" - Was that supposed to happen or did you mean something else? I'm confused about that last paragraph.
              – confetti
              5 hours ago












            up vote
            1
            down vote










            up vote
            1
            down vote









            I am not familiar with that technique and to be honest, I don't recall any training or practice to help holding the camera steady. This is because of two factors: holding the camera correctly, and understanding the impact of shutter speed on motion.



            I suggest doing a google search on 'how to hold a camera', where you will be linked to many stories such as this one. Providing the proper support to your camera will bring significant stability, and reduce 'shake'.



            Of course, ensuring that you are shooting at the proper shutter speed is critical as well, and likely the largest noticeable impact to your images. An old 'rule of thumb' for full frame cameras was to ensure that you shoot and a shutter speed above the 1/focal length of the lens you are using: if you are shooting at 70mm, ensure your shutterspeed is above 1/70th. Likewise, if shooting at 200mm, shoot above 1/200th. In general, you should ensure that any hand held shooting occurs at 1/60th or above, though these days with stabilization and crop sensors, it is no longer a very useful gauge, only a simple reminder to ensure you are shooting at the proper shutter speed for your conditions.



            You will notice photographers using long lenses, such as during sporting events or perhaps shooting wildlife. This is because many use very long lenses, and they need shutter speeds lower than the focal length.






            share|improve this answer












            I am not familiar with that technique and to be honest, I don't recall any training or practice to help holding the camera steady. This is because of two factors: holding the camera correctly, and understanding the impact of shutter speed on motion.



            I suggest doing a google search on 'how to hold a camera', where you will be linked to many stories such as this one. Providing the proper support to your camera will bring significant stability, and reduce 'shake'.



            Of course, ensuring that you are shooting at the proper shutter speed is critical as well, and likely the largest noticeable impact to your images. An old 'rule of thumb' for full frame cameras was to ensure that you shoot and a shutter speed above the 1/focal length of the lens you are using: if you are shooting at 70mm, ensure your shutterspeed is above 1/70th. Likewise, if shooting at 200mm, shoot above 1/200th. In general, you should ensure that any hand held shooting occurs at 1/60th or above, though these days with stabilization and crop sensors, it is no longer a very useful gauge, only a simple reminder to ensure you are shooting at the proper shutter speed for your conditions.



            You will notice photographers using long lenses, such as during sporting events or perhaps shooting wildlife. This is because many use very long lenses, and they need shutter speeds lower than the focal length.







            share|improve this answer












            share|improve this answer



            share|improve this answer










            answered 7 hours ago









            cmason

            12.7k12653




            12.7k12653







            • 1




              "You will notice photographers using long lenses [...]. This is because many use very long lenses" - Was that supposed to happen or did you mean something else? I'm confused about that last paragraph.
              – confetti
              5 hours ago












            • 1




              "You will notice photographers using long lenses [...]. This is because many use very long lenses" - Was that supposed to happen or did you mean something else? I'm confused about that last paragraph.
              – confetti
              5 hours ago







            1




            1




            "You will notice photographers using long lenses [...]. This is because many use very long lenses" - Was that supposed to happen or did you mean something else? I'm confused about that last paragraph.
            – confetti
            5 hours ago




            "You will notice photographers using long lenses [...]. This is because many use very long lenses" - Was that supposed to happen or did you mean something else? I'm confused about that last paragraph.
            – confetti
            5 hours ago










            Jonathan Irons is a new contributor. Be nice, and check out our Code of Conduct.









             

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            List of Gilmore Girls characters

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            The season three cast—(Back row): Lane, Michel, Paris, Emily, Richard, Sookie, Miss Patty, Kirk; Front row: Jess, Luke, Lorelai, Rory, Dean This is a list of characters for the comedy-drama television series Gilmore Girls . Contents 1 Main characters 1.1 Lorelai Gilmore 1.2 Rory Gilmore 1.3 Sookie St. James 1.4 Lane Kim 1.5 Michel Gerard 1.6 Luke Danes 1.7 Emily Gilmore 1.8 Richard Gilmore 1.9 Paris Geller 1.10 Dean Forester 1.11 Jess Mariano 1.12 Kirk Gleason 1.13 Jason Stiles 1.14 Logan Huntzberger 2 Major recurring characters 2.1 Christopher Hayden 2.2 Jackson Belleville 2.3 Mrs. Kim 2.4 Tristin DuGray 2.5 Max Medina 2.6 Taylor Doose 2.7 Dave Rygalski 2.8 Marty 3 Recurring characters 3.1 Stars Hollow 3.2 Chilton 3.3 Yale 3.4 Other 4 Notable guest stars 5 Unseen characters 6 Notes 7 References Main characters Actor Character Appearances Season 1 Season 2 Season 3 Season 4 Season 5 Season 6 Season 7 A Year in the Life Lauren Graham Lorelai Gilmore...
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            Confectionery

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            Prepared foods made with a lot of sugar or other cabohydrates "Sweetmeat" redirects here. For the racehorse, see Sweetmeat (horse). Not to be confused with Sweetbread. This Kransekake is a traditional Scandinavian baker's confection. Confectionery is the art of making confections , which are food items that are rich in sugar and carbohydrates. Exact definitions are difficult. [1] In general, though, confectionery is divided into two broad and somewhat overlapping categories, bakers' confections and sugar confections. [2] Bakers' confectionery, also called flour confections , includes principally sweet pastries, cakes, and similar baked goods. Sugar confectionery includes candies ( sweets in British English), candied nuts, chocolates, chewing gum, bubble gum, pastillage, and other confections that are made primarily of sugar. In some cases, chocolate confections (confections made of chocolate) are treated as a separate category, as are sugar-free versions of ...
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