Walking bass line or counterpoint?

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I was watching this video where a guy plays Super Mario Bros 2 Overworld theme.



I was wondering if at 0:17s is this a walking bass line or is this counterpoint? and how do you know?










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    up vote
    1
    down vote

    favorite












    I was watching this video where a guy plays Super Mario Bros 2 Overworld theme.



    I was wondering if at 0:17s is this a walking bass line or is this counterpoint? and how do you know?










    share|improve this question

























      up vote
      1
      down vote

      favorite









      up vote
      1
      down vote

      favorite











      I was watching this video where a guy plays Super Mario Bros 2 Overworld theme.



      I was wondering if at 0:17s is this a walking bass line or is this counterpoint? and how do you know?










      share|improve this question















      I was watching this video where a guy plays Super Mario Bros 2 Overworld theme.



      I was wondering if at 0:17s is this a walking bass line or is this counterpoint? and how do you know?







      theory piano






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      edited 1 hour ago

























      asked 4 hours ago









      foreyez

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      3,93922164




















          1 Answer
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          Ultimately, it's both.



          Counterpoint comes from the Latin punctum contra punctum, which just means "note against note." In other words, "counterpoint" is really just a relationship between multiple musical lines. Depending on the musical style, there is a spectrum of rule strictness; a motet by Palestrina, for instance, has much more strict rules than two contrapuntal voices in post-tonal jazz.



          The section at 0:17 is a walking bass line. And by virtue of it being played simultaneously with another part, it is in counterpoint with the right hand. As such, this walking bass line is also an example of a contrapuntal relationship between multiple voices.



          The two concepts are very much separate, but a walking bass line will typically be counterpointed against another voice, and as such will typically be an example of both concepts.






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            1 Answer
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            active

            oldest

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            1 Answer
            1






            active

            oldest

            votes









            active

            oldest

            votes






            active

            oldest

            votes








            up vote
            3
            down vote



            accepted










            Ultimately, it's both.



            Counterpoint comes from the Latin punctum contra punctum, which just means "note against note." In other words, "counterpoint" is really just a relationship between multiple musical lines. Depending on the musical style, there is a spectrum of rule strictness; a motet by Palestrina, for instance, has much more strict rules than two contrapuntal voices in post-tonal jazz.



            The section at 0:17 is a walking bass line. And by virtue of it being played simultaneously with another part, it is in counterpoint with the right hand. As such, this walking bass line is also an example of a contrapuntal relationship between multiple voices.



            The two concepts are very much separate, but a walking bass line will typically be counterpointed against another voice, and as such will typically be an example of both concepts.






            share|improve this answer


























              up vote
              3
              down vote



              accepted










              Ultimately, it's both.



              Counterpoint comes from the Latin punctum contra punctum, which just means "note against note." In other words, "counterpoint" is really just a relationship between multiple musical lines. Depending on the musical style, there is a spectrum of rule strictness; a motet by Palestrina, for instance, has much more strict rules than two contrapuntal voices in post-tonal jazz.



              The section at 0:17 is a walking bass line. And by virtue of it being played simultaneously with another part, it is in counterpoint with the right hand. As such, this walking bass line is also an example of a contrapuntal relationship between multiple voices.



              The two concepts are very much separate, but a walking bass line will typically be counterpointed against another voice, and as such will typically be an example of both concepts.






              share|improve this answer
























                up vote
                3
                down vote



                accepted







                up vote
                3
                down vote



                accepted






                Ultimately, it's both.



                Counterpoint comes from the Latin punctum contra punctum, which just means "note against note." In other words, "counterpoint" is really just a relationship between multiple musical lines. Depending on the musical style, there is a spectrum of rule strictness; a motet by Palestrina, for instance, has much more strict rules than two contrapuntal voices in post-tonal jazz.



                The section at 0:17 is a walking bass line. And by virtue of it being played simultaneously with another part, it is in counterpoint with the right hand. As such, this walking bass line is also an example of a contrapuntal relationship between multiple voices.



                The two concepts are very much separate, but a walking bass line will typically be counterpointed against another voice, and as such will typically be an example of both concepts.






                share|improve this answer














                Ultimately, it's both.



                Counterpoint comes from the Latin punctum contra punctum, which just means "note against note." In other words, "counterpoint" is really just a relationship between multiple musical lines. Depending on the musical style, there is a spectrum of rule strictness; a motet by Palestrina, for instance, has much more strict rules than two contrapuntal voices in post-tonal jazz.



                The section at 0:17 is a walking bass line. And by virtue of it being played simultaneously with another part, it is in counterpoint with the right hand. As such, this walking bass line is also an example of a contrapuntal relationship between multiple voices.



                The two concepts are very much separate, but a walking bass line will typically be counterpointed against another voice, and as such will typically be an example of both concepts.







                share|improve this answer














                share|improve this answer



                share|improve this answer








                edited 4 hours ago

























                answered 4 hours ago









                Richard

                33.9k672141




                33.9k672141



























                     

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