How to write female characters with agency?
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I'm attempting to write a novel, an historical fiction with a small fantasy component (time travel through a portal). The travelers (main characters) are a young couple from the late 23rd Century who are (without preparation or intent) transported back to the late 14th Century. The setting is Venetian-ruled Croatia, though that has little to do with my question.
In my version of the late 23rd Century, at least in the part of the world where these two were raised, is what we might call "post woke"; the mentality of people in their time and area is one of equality, acceptance of differences, and egalitarianism. As such, the male half of the couple struggles with the notion that, in order to blend in to the 14th Century, he has to do things like hold doors for women. This is a simplistic description of what he goes through, but it should suffice here.
Which brings us to my struggles (as a male writer) with writing the female character from her own POV. She's a modern woman of the 23rd Century, albeit young (twenty years old). She can take care of herself, and eschews the idea of needing a man in her life to do much of anything for her save perhaps lifting large, heavy objects. She is, however, feminine, and I'm... not. So I don't have confidence that I can write a female protagonist who has agency without sounding like "a dude writing a chick".
So what tips do you have for writing properly feminine female characters who have agency? I'm particularly interested in hearing from women writers, though tips from anyone are appreciated.
fiction character-development perspective pov
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up vote
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I'm attempting to write a novel, an historical fiction with a small fantasy component (time travel through a portal). The travelers (main characters) are a young couple from the late 23rd Century who are (without preparation or intent) transported back to the late 14th Century. The setting is Venetian-ruled Croatia, though that has little to do with my question.
In my version of the late 23rd Century, at least in the part of the world where these two were raised, is what we might call "post woke"; the mentality of people in their time and area is one of equality, acceptance of differences, and egalitarianism. As such, the male half of the couple struggles with the notion that, in order to blend in to the 14th Century, he has to do things like hold doors for women. This is a simplistic description of what he goes through, but it should suffice here.
Which brings us to my struggles (as a male writer) with writing the female character from her own POV. She's a modern woman of the 23rd Century, albeit young (twenty years old). She can take care of herself, and eschews the idea of needing a man in her life to do much of anything for her save perhaps lifting large, heavy objects. She is, however, feminine, and I'm... not. So I don't have confidence that I can write a female protagonist who has agency without sounding like "a dude writing a chick".
So what tips do you have for writing properly feminine female characters who have agency? I'm particularly interested in hearing from women writers, though tips from anyone are appreciated.
fiction character-development perspective pov
2
Related: Pitfalls of writing a main character of different gender to the author, specifically first-person perspective?
â Alexander
2 hours ago
What do you mean by "feminine"? To me that suggests some attitude you want to give her; perhaps about dress, makeup, daintiness (not wanting to get dirty), or waiting for male initiative, etc. Wouldn't most of what we think of as being "feminine" either disappear, or be universally adopted by both genders? I don't think there is much about "femininity" that is inherent in having female body parts. I think nearly all of it is a learned product and attitude of current culture.
â Amadeus
1 hour ago
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up vote
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up vote
3
down vote
favorite
I'm attempting to write a novel, an historical fiction with a small fantasy component (time travel through a portal). The travelers (main characters) are a young couple from the late 23rd Century who are (without preparation or intent) transported back to the late 14th Century. The setting is Venetian-ruled Croatia, though that has little to do with my question.
In my version of the late 23rd Century, at least in the part of the world where these two were raised, is what we might call "post woke"; the mentality of people in their time and area is one of equality, acceptance of differences, and egalitarianism. As such, the male half of the couple struggles with the notion that, in order to blend in to the 14th Century, he has to do things like hold doors for women. This is a simplistic description of what he goes through, but it should suffice here.
Which brings us to my struggles (as a male writer) with writing the female character from her own POV. She's a modern woman of the 23rd Century, albeit young (twenty years old). She can take care of herself, and eschews the idea of needing a man in her life to do much of anything for her save perhaps lifting large, heavy objects. She is, however, feminine, and I'm... not. So I don't have confidence that I can write a female protagonist who has agency without sounding like "a dude writing a chick".
So what tips do you have for writing properly feminine female characters who have agency? I'm particularly interested in hearing from women writers, though tips from anyone are appreciated.
fiction character-development perspective pov
I'm attempting to write a novel, an historical fiction with a small fantasy component (time travel through a portal). The travelers (main characters) are a young couple from the late 23rd Century who are (without preparation or intent) transported back to the late 14th Century. The setting is Venetian-ruled Croatia, though that has little to do with my question.
In my version of the late 23rd Century, at least in the part of the world where these two were raised, is what we might call "post woke"; the mentality of people in their time and area is one of equality, acceptance of differences, and egalitarianism. As such, the male half of the couple struggles with the notion that, in order to blend in to the 14th Century, he has to do things like hold doors for women. This is a simplistic description of what he goes through, but it should suffice here.
Which brings us to my struggles (as a male writer) with writing the female character from her own POV. She's a modern woman of the 23rd Century, albeit young (twenty years old). She can take care of herself, and eschews the idea of needing a man in her life to do much of anything for her save perhaps lifting large, heavy objects. She is, however, feminine, and I'm... not. So I don't have confidence that I can write a female protagonist who has agency without sounding like "a dude writing a chick".
So what tips do you have for writing properly feminine female characters who have agency? I'm particularly interested in hearing from women writers, though tips from anyone are appreciated.
fiction character-development perspective pov
fiction character-development perspective pov
asked 2 hours ago
J.D. Ray
1265
1265
2
Related: Pitfalls of writing a main character of different gender to the author, specifically first-person perspective?
â Alexander
2 hours ago
What do you mean by "feminine"? To me that suggests some attitude you want to give her; perhaps about dress, makeup, daintiness (not wanting to get dirty), or waiting for male initiative, etc. Wouldn't most of what we think of as being "feminine" either disappear, or be universally adopted by both genders? I don't think there is much about "femininity" that is inherent in having female body parts. I think nearly all of it is a learned product and attitude of current culture.
â Amadeus
1 hour ago
add a comment |Â
2
Related: Pitfalls of writing a main character of different gender to the author, specifically first-person perspective?
â Alexander
2 hours ago
What do you mean by "feminine"? To me that suggests some attitude you want to give her; perhaps about dress, makeup, daintiness (not wanting to get dirty), or waiting for male initiative, etc. Wouldn't most of what we think of as being "feminine" either disappear, or be universally adopted by both genders? I don't think there is much about "femininity" that is inherent in having female body parts. I think nearly all of it is a learned product and attitude of current culture.
â Amadeus
1 hour ago
2
2
Related: Pitfalls of writing a main character of different gender to the author, specifically first-person perspective?
â Alexander
2 hours ago
Related: Pitfalls of writing a main character of different gender to the author, specifically first-person perspective?
â Alexander
2 hours ago
What do you mean by "feminine"? To me that suggests some attitude you want to give her; perhaps about dress, makeup, daintiness (not wanting to get dirty), or waiting for male initiative, etc. Wouldn't most of what we think of as being "feminine" either disappear, or be universally adopted by both genders? I don't think there is much about "femininity" that is inherent in having female body parts. I think nearly all of it is a learned product and attitude of current culture.
â Amadeus
1 hour ago
What do you mean by "feminine"? To me that suggests some attitude you want to give her; perhaps about dress, makeup, daintiness (not wanting to get dirty), or waiting for male initiative, etc. Wouldn't most of what we think of as being "feminine" either disappear, or be universally adopted by both genders? I don't think there is much about "femininity" that is inherent in having female body parts. I think nearly all of it is a learned product and attitude of current culture.
â Amadeus
1 hour ago
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3 Answers
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While I'm not qualified to advise you on this specific question, I do have some good general advice. Start by doing some research in the form of interviews with someone who resembles your character (it doesn't need to be a writer).
Obviously you won't (probably!) find a time traveler, but you can talk to young women in male-dominated fields. You can also talk to older women about what it was like to be young in the (presumably more sexist) past, or women who have lived or traveled in more "traditional" parts of the world. You can also read work with strong female characters by women writers and see what choices they make. Doing the research is a good general strategy for writing characters with demographics that don't match your own.
A really good resource for you would be the book Kindred by the science fiction writer Octavia Butler. It is written from the POV of a modern young woman transported through time, against her will, into the life of a slave woman in the pre-Civil War American South.
add a comment |Â
up vote
1
down vote
Femininity simply means embracing traditionally feminine activities, such as being nurturing, delicate yet skilled work (like needlework), preferring dresses over shirts, taking pride in a feminine appearance (lipstick, long hair, well-groomed and generally shaved body hair).
Believe it or not, there's a lot of ways someone who is feminine can have agency. Hell, most female lawyers are still very feminine (as looking conventionally attractive, sadly, wins cases, both in men and women), yet are no doubt in charge of their own destiny, yes?
Even a housewife can have agency; as long as it's what the woman wants rather than a role ascribed to them (a la an arranged marriage or something put upon her by her husband) then she's a woman that's chosen to be a housewife.
Here's a good example of someone who is clearly feminine and has strong feminine-coded skills, yet is clearly also a woman who is in charge of herself and is genuinely competent.
https://www.youtube.com/watch?v=A3dv9NYrkUE
While this all sounds plausible, it's still clearly an "outsider's" perspective.
â Chris Sunami
1 hour ago
That's a beautifully shot video, and whatever she was cooking looked delicious, but I fail to see what it had to do with femininity. In my view, your (above-described) view of femininity is flawed.
â J.D. Ray
1 hour ago
@J.D.Ray The ability to keep house, perform delicate tasks with high competence, wear hair long, cook well, garden with skill, be demure and look, simply put, beautifully feminine. She's traditionally feminine (with a few masculine-coded skills like farming), but clearly driven and skillful.
â Matthew Dave
56 mins ago
add a comment |Â
up vote
0
down vote
On "Jo Writes Stuff", Jo has produced an epic analysis of whether or not a character is a "strong female character"; and a test to go with it. Here is her instructions on How To Use The Test.
She has stopped any new analysis, but here is a list of All The Characters She Reviewed.
I believe this can help you with some of your issues; just writing a post-woke female character.
For the most part, other than sexual attractions or attentions, I think in the 23rd century the answer is to write female characters and male characters rather similarly, but NOT as women becoming like men: More like meeting in the middle, or both sides going to some extreme.
For example, consider makeup: One route is to eliminate it; women no longer need it in the post-woke society. But the other route is to make it universal: Your male character may have some trouble in our modern time, because like all men of his time, he doesn't usually go out without makeup. (The same was true for men in some royal courts a few centuries in our past).
Your guy might have acquired many habits and attitudes we might consider "feminine", and what we consider acceptably "masculine" today may come to be considered just rude in the 23rd century. Like men interrupting women, or clerks and managers speaking exclusively to a man instead of to both the man and woman.
Or on the flip side, your male may be just as motherly and devoted to kids, and know everything there is to know about childcare and raising children, and doesn't defer to women in the least in that respect. In his time, men are expected (by both other men and women) to be full and sensitive participants in childcare.
For the most part, I would just have your 23rd century people not perceive any difference between interacting with men or women. As a psychological trick to help you do that and get past your own cultural bias, she responds to and speaks to men as a modern woman would respond to and speak to another modern female stranger, saying or doing the same thing: Gender makes no difference to your time traveler. The opposite trick for your time traveling man: he responds to and speaks to women the same as a modern man would respond to and speak to another modern male stranger.
And though they are a couple, they engage with each other as friends. If you intend to have romantic or sexual scenes in the story, make them equally desirous.
There is seldom a need for designing a "strong male character", But I'd use Jo's checklist in the same way. Here are her questions; the link above has details on what you should consider for each question.
- Does the character shape her own destiny? Does she actively try to
change her situation and if not, why not? - Does she have her own goals, beliefs and hobbies? Did she come up
with them on her own? - Is her character consistent? Do her personality or skills change as
the plot demands? - Can you describe her in one short sentence without mentioning her
love life, her physical appearance, or the words
âÂÂstrong female characterâÂÂ? - Does she make decisions that arenâÂÂt influenced by her love life?
- Does she develop over the course of the story?
- Does she have a weakness?
- Does she influence the plot without getting captured or killed?
- How does she relate to stereotypes about gender?
- How does she relate to other female characters?
Good luck.
add a comment |Â
3 Answers
3
active
oldest
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3 Answers
3
active
oldest
votes
active
oldest
votes
active
oldest
votes
up vote
2
down vote
While I'm not qualified to advise you on this specific question, I do have some good general advice. Start by doing some research in the form of interviews with someone who resembles your character (it doesn't need to be a writer).
Obviously you won't (probably!) find a time traveler, but you can talk to young women in male-dominated fields. You can also talk to older women about what it was like to be young in the (presumably more sexist) past, or women who have lived or traveled in more "traditional" parts of the world. You can also read work with strong female characters by women writers and see what choices they make. Doing the research is a good general strategy for writing characters with demographics that don't match your own.
A really good resource for you would be the book Kindred by the science fiction writer Octavia Butler. It is written from the POV of a modern young woman transported through time, against her will, into the life of a slave woman in the pre-Civil War American South.
add a comment |Â
up vote
2
down vote
While I'm not qualified to advise you on this specific question, I do have some good general advice. Start by doing some research in the form of interviews with someone who resembles your character (it doesn't need to be a writer).
Obviously you won't (probably!) find a time traveler, but you can talk to young women in male-dominated fields. You can also talk to older women about what it was like to be young in the (presumably more sexist) past, or women who have lived or traveled in more "traditional" parts of the world. You can also read work with strong female characters by women writers and see what choices they make. Doing the research is a good general strategy for writing characters with demographics that don't match your own.
A really good resource for you would be the book Kindred by the science fiction writer Octavia Butler. It is written from the POV of a modern young woman transported through time, against her will, into the life of a slave woman in the pre-Civil War American South.
add a comment |Â
up vote
2
down vote
up vote
2
down vote
While I'm not qualified to advise you on this specific question, I do have some good general advice. Start by doing some research in the form of interviews with someone who resembles your character (it doesn't need to be a writer).
Obviously you won't (probably!) find a time traveler, but you can talk to young women in male-dominated fields. You can also talk to older women about what it was like to be young in the (presumably more sexist) past, or women who have lived or traveled in more "traditional" parts of the world. You can also read work with strong female characters by women writers and see what choices they make. Doing the research is a good general strategy for writing characters with demographics that don't match your own.
A really good resource for you would be the book Kindred by the science fiction writer Octavia Butler. It is written from the POV of a modern young woman transported through time, against her will, into the life of a slave woman in the pre-Civil War American South.
While I'm not qualified to advise you on this specific question, I do have some good general advice. Start by doing some research in the form of interviews with someone who resembles your character (it doesn't need to be a writer).
Obviously you won't (probably!) find a time traveler, but you can talk to young women in male-dominated fields. You can also talk to older women about what it was like to be young in the (presumably more sexist) past, or women who have lived or traveled in more "traditional" parts of the world. You can also read work with strong female characters by women writers and see what choices they make. Doing the research is a good general strategy for writing characters with demographics that don't match your own.
A really good resource for you would be the book Kindred by the science fiction writer Octavia Butler. It is written from the POV of a modern young woman transported through time, against her will, into the life of a slave woman in the pre-Civil War American South.
edited 1 hour ago
answered 1 hour ago
Chris Sunami
24.7k33092
24.7k33092
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up vote
1
down vote
Femininity simply means embracing traditionally feminine activities, such as being nurturing, delicate yet skilled work (like needlework), preferring dresses over shirts, taking pride in a feminine appearance (lipstick, long hair, well-groomed and generally shaved body hair).
Believe it or not, there's a lot of ways someone who is feminine can have agency. Hell, most female lawyers are still very feminine (as looking conventionally attractive, sadly, wins cases, both in men and women), yet are no doubt in charge of their own destiny, yes?
Even a housewife can have agency; as long as it's what the woman wants rather than a role ascribed to them (a la an arranged marriage or something put upon her by her husband) then she's a woman that's chosen to be a housewife.
Here's a good example of someone who is clearly feminine and has strong feminine-coded skills, yet is clearly also a woman who is in charge of herself and is genuinely competent.
https://www.youtube.com/watch?v=A3dv9NYrkUE
While this all sounds plausible, it's still clearly an "outsider's" perspective.
â Chris Sunami
1 hour ago
That's a beautifully shot video, and whatever she was cooking looked delicious, but I fail to see what it had to do with femininity. In my view, your (above-described) view of femininity is flawed.
â J.D. Ray
1 hour ago
@J.D.Ray The ability to keep house, perform delicate tasks with high competence, wear hair long, cook well, garden with skill, be demure and look, simply put, beautifully feminine. She's traditionally feminine (with a few masculine-coded skills like farming), but clearly driven and skillful.
â Matthew Dave
56 mins ago
add a comment |Â
up vote
1
down vote
Femininity simply means embracing traditionally feminine activities, such as being nurturing, delicate yet skilled work (like needlework), preferring dresses over shirts, taking pride in a feminine appearance (lipstick, long hair, well-groomed and generally shaved body hair).
Believe it or not, there's a lot of ways someone who is feminine can have agency. Hell, most female lawyers are still very feminine (as looking conventionally attractive, sadly, wins cases, both in men and women), yet are no doubt in charge of their own destiny, yes?
Even a housewife can have agency; as long as it's what the woman wants rather than a role ascribed to them (a la an arranged marriage or something put upon her by her husband) then she's a woman that's chosen to be a housewife.
Here's a good example of someone who is clearly feminine and has strong feminine-coded skills, yet is clearly also a woman who is in charge of herself and is genuinely competent.
https://www.youtube.com/watch?v=A3dv9NYrkUE
While this all sounds plausible, it's still clearly an "outsider's" perspective.
â Chris Sunami
1 hour ago
That's a beautifully shot video, and whatever she was cooking looked delicious, but I fail to see what it had to do with femininity. In my view, your (above-described) view of femininity is flawed.
â J.D. Ray
1 hour ago
@J.D.Ray The ability to keep house, perform delicate tasks with high competence, wear hair long, cook well, garden with skill, be demure and look, simply put, beautifully feminine. She's traditionally feminine (with a few masculine-coded skills like farming), but clearly driven and skillful.
â Matthew Dave
56 mins ago
add a comment |Â
up vote
1
down vote
up vote
1
down vote
Femininity simply means embracing traditionally feminine activities, such as being nurturing, delicate yet skilled work (like needlework), preferring dresses over shirts, taking pride in a feminine appearance (lipstick, long hair, well-groomed and generally shaved body hair).
Believe it or not, there's a lot of ways someone who is feminine can have agency. Hell, most female lawyers are still very feminine (as looking conventionally attractive, sadly, wins cases, both in men and women), yet are no doubt in charge of their own destiny, yes?
Even a housewife can have agency; as long as it's what the woman wants rather than a role ascribed to them (a la an arranged marriage or something put upon her by her husband) then she's a woman that's chosen to be a housewife.
Here's a good example of someone who is clearly feminine and has strong feminine-coded skills, yet is clearly also a woman who is in charge of herself and is genuinely competent.
https://www.youtube.com/watch?v=A3dv9NYrkUE
Femininity simply means embracing traditionally feminine activities, such as being nurturing, delicate yet skilled work (like needlework), preferring dresses over shirts, taking pride in a feminine appearance (lipstick, long hair, well-groomed and generally shaved body hair).
Believe it or not, there's a lot of ways someone who is feminine can have agency. Hell, most female lawyers are still very feminine (as looking conventionally attractive, sadly, wins cases, both in men and women), yet are no doubt in charge of their own destiny, yes?
Even a housewife can have agency; as long as it's what the woman wants rather than a role ascribed to them (a la an arranged marriage or something put upon her by her husband) then she's a woman that's chosen to be a housewife.
Here's a good example of someone who is clearly feminine and has strong feminine-coded skills, yet is clearly also a woman who is in charge of herself and is genuinely competent.
https://www.youtube.com/watch?v=A3dv9NYrkUE
answered 1 hour ago
Matthew Dave
3,745530
3,745530
While this all sounds plausible, it's still clearly an "outsider's" perspective.
â Chris Sunami
1 hour ago
That's a beautifully shot video, and whatever she was cooking looked delicious, but I fail to see what it had to do with femininity. In my view, your (above-described) view of femininity is flawed.
â J.D. Ray
1 hour ago
@J.D.Ray The ability to keep house, perform delicate tasks with high competence, wear hair long, cook well, garden with skill, be demure and look, simply put, beautifully feminine. She's traditionally feminine (with a few masculine-coded skills like farming), but clearly driven and skillful.
â Matthew Dave
56 mins ago
add a comment |Â
While this all sounds plausible, it's still clearly an "outsider's" perspective.
â Chris Sunami
1 hour ago
That's a beautifully shot video, and whatever she was cooking looked delicious, but I fail to see what it had to do with femininity. In my view, your (above-described) view of femininity is flawed.
â J.D. Ray
1 hour ago
@J.D.Ray The ability to keep house, perform delicate tasks with high competence, wear hair long, cook well, garden with skill, be demure and look, simply put, beautifully feminine. She's traditionally feminine (with a few masculine-coded skills like farming), but clearly driven and skillful.
â Matthew Dave
56 mins ago
While this all sounds plausible, it's still clearly an "outsider's" perspective.
â Chris Sunami
1 hour ago
While this all sounds plausible, it's still clearly an "outsider's" perspective.
â Chris Sunami
1 hour ago
That's a beautifully shot video, and whatever she was cooking looked delicious, but I fail to see what it had to do with femininity. In my view, your (above-described) view of femininity is flawed.
â J.D. Ray
1 hour ago
That's a beautifully shot video, and whatever she was cooking looked delicious, but I fail to see what it had to do with femininity. In my view, your (above-described) view of femininity is flawed.
â J.D. Ray
1 hour ago
@J.D.Ray The ability to keep house, perform delicate tasks with high competence, wear hair long, cook well, garden with skill, be demure and look, simply put, beautifully feminine. She's traditionally feminine (with a few masculine-coded skills like farming), but clearly driven and skillful.
â Matthew Dave
56 mins ago
@J.D.Ray The ability to keep house, perform delicate tasks with high competence, wear hair long, cook well, garden with skill, be demure and look, simply put, beautifully feminine. She's traditionally feminine (with a few masculine-coded skills like farming), but clearly driven and skillful.
â Matthew Dave
56 mins ago
add a comment |Â
up vote
0
down vote
On "Jo Writes Stuff", Jo has produced an epic analysis of whether or not a character is a "strong female character"; and a test to go with it. Here is her instructions on How To Use The Test.
She has stopped any new analysis, but here is a list of All The Characters She Reviewed.
I believe this can help you with some of your issues; just writing a post-woke female character.
For the most part, other than sexual attractions or attentions, I think in the 23rd century the answer is to write female characters and male characters rather similarly, but NOT as women becoming like men: More like meeting in the middle, or both sides going to some extreme.
For example, consider makeup: One route is to eliminate it; women no longer need it in the post-woke society. But the other route is to make it universal: Your male character may have some trouble in our modern time, because like all men of his time, he doesn't usually go out without makeup. (The same was true for men in some royal courts a few centuries in our past).
Your guy might have acquired many habits and attitudes we might consider "feminine", and what we consider acceptably "masculine" today may come to be considered just rude in the 23rd century. Like men interrupting women, or clerks and managers speaking exclusively to a man instead of to both the man and woman.
Or on the flip side, your male may be just as motherly and devoted to kids, and know everything there is to know about childcare and raising children, and doesn't defer to women in the least in that respect. In his time, men are expected (by both other men and women) to be full and sensitive participants in childcare.
For the most part, I would just have your 23rd century people not perceive any difference between interacting with men or women. As a psychological trick to help you do that and get past your own cultural bias, she responds to and speaks to men as a modern woman would respond to and speak to another modern female stranger, saying or doing the same thing: Gender makes no difference to your time traveler. The opposite trick for your time traveling man: he responds to and speaks to women the same as a modern man would respond to and speak to another modern male stranger.
And though they are a couple, they engage with each other as friends. If you intend to have romantic or sexual scenes in the story, make them equally desirous.
There is seldom a need for designing a "strong male character", But I'd use Jo's checklist in the same way. Here are her questions; the link above has details on what you should consider for each question.
- Does the character shape her own destiny? Does she actively try to
change her situation and if not, why not? - Does she have her own goals, beliefs and hobbies? Did she come up
with them on her own? - Is her character consistent? Do her personality or skills change as
the plot demands? - Can you describe her in one short sentence without mentioning her
love life, her physical appearance, or the words
âÂÂstrong female characterâÂÂ? - Does she make decisions that arenâÂÂt influenced by her love life?
- Does she develop over the course of the story?
- Does she have a weakness?
- Does she influence the plot without getting captured or killed?
- How does she relate to stereotypes about gender?
- How does she relate to other female characters?
Good luck.
add a comment |Â
up vote
0
down vote
On "Jo Writes Stuff", Jo has produced an epic analysis of whether or not a character is a "strong female character"; and a test to go with it. Here is her instructions on How To Use The Test.
She has stopped any new analysis, but here is a list of All The Characters She Reviewed.
I believe this can help you with some of your issues; just writing a post-woke female character.
For the most part, other than sexual attractions or attentions, I think in the 23rd century the answer is to write female characters and male characters rather similarly, but NOT as women becoming like men: More like meeting in the middle, or both sides going to some extreme.
For example, consider makeup: One route is to eliminate it; women no longer need it in the post-woke society. But the other route is to make it universal: Your male character may have some trouble in our modern time, because like all men of his time, he doesn't usually go out without makeup. (The same was true for men in some royal courts a few centuries in our past).
Your guy might have acquired many habits and attitudes we might consider "feminine", and what we consider acceptably "masculine" today may come to be considered just rude in the 23rd century. Like men interrupting women, or clerks and managers speaking exclusively to a man instead of to both the man and woman.
Or on the flip side, your male may be just as motherly and devoted to kids, and know everything there is to know about childcare and raising children, and doesn't defer to women in the least in that respect. In his time, men are expected (by both other men and women) to be full and sensitive participants in childcare.
For the most part, I would just have your 23rd century people not perceive any difference between interacting with men or women. As a psychological trick to help you do that and get past your own cultural bias, she responds to and speaks to men as a modern woman would respond to and speak to another modern female stranger, saying or doing the same thing: Gender makes no difference to your time traveler. The opposite trick for your time traveling man: he responds to and speaks to women the same as a modern man would respond to and speak to another modern male stranger.
And though they are a couple, they engage with each other as friends. If you intend to have romantic or sexual scenes in the story, make them equally desirous.
There is seldom a need for designing a "strong male character", But I'd use Jo's checklist in the same way. Here are her questions; the link above has details on what you should consider for each question.
- Does the character shape her own destiny? Does she actively try to
change her situation and if not, why not? - Does she have her own goals, beliefs and hobbies? Did she come up
with them on her own? - Is her character consistent? Do her personality or skills change as
the plot demands? - Can you describe her in one short sentence without mentioning her
love life, her physical appearance, or the words
âÂÂstrong female characterâÂÂ? - Does she make decisions that arenâÂÂt influenced by her love life?
- Does she develop over the course of the story?
- Does she have a weakness?
- Does she influence the plot without getting captured or killed?
- How does she relate to stereotypes about gender?
- How does she relate to other female characters?
Good luck.
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On "Jo Writes Stuff", Jo has produced an epic analysis of whether or not a character is a "strong female character"; and a test to go with it. Here is her instructions on How To Use The Test.
She has stopped any new analysis, but here is a list of All The Characters She Reviewed.
I believe this can help you with some of your issues; just writing a post-woke female character.
For the most part, other than sexual attractions or attentions, I think in the 23rd century the answer is to write female characters and male characters rather similarly, but NOT as women becoming like men: More like meeting in the middle, or both sides going to some extreme.
For example, consider makeup: One route is to eliminate it; women no longer need it in the post-woke society. But the other route is to make it universal: Your male character may have some trouble in our modern time, because like all men of his time, he doesn't usually go out without makeup. (The same was true for men in some royal courts a few centuries in our past).
Your guy might have acquired many habits and attitudes we might consider "feminine", and what we consider acceptably "masculine" today may come to be considered just rude in the 23rd century. Like men interrupting women, or clerks and managers speaking exclusively to a man instead of to both the man and woman.
Or on the flip side, your male may be just as motherly and devoted to kids, and know everything there is to know about childcare and raising children, and doesn't defer to women in the least in that respect. In his time, men are expected (by both other men and women) to be full and sensitive participants in childcare.
For the most part, I would just have your 23rd century people not perceive any difference between interacting with men or women. As a psychological trick to help you do that and get past your own cultural bias, she responds to and speaks to men as a modern woman would respond to and speak to another modern female stranger, saying or doing the same thing: Gender makes no difference to your time traveler. The opposite trick for your time traveling man: he responds to and speaks to women the same as a modern man would respond to and speak to another modern male stranger.
And though they are a couple, they engage with each other as friends. If you intend to have romantic or sexual scenes in the story, make them equally desirous.
There is seldom a need for designing a "strong male character", But I'd use Jo's checklist in the same way. Here are her questions; the link above has details on what you should consider for each question.
- Does the character shape her own destiny? Does she actively try to
change her situation and if not, why not? - Does she have her own goals, beliefs and hobbies? Did she come up
with them on her own? - Is her character consistent? Do her personality or skills change as
the plot demands? - Can you describe her in one short sentence without mentioning her
love life, her physical appearance, or the words
âÂÂstrong female characterâÂÂ? - Does she make decisions that arenâÂÂt influenced by her love life?
- Does she develop over the course of the story?
- Does she have a weakness?
- Does she influence the plot without getting captured or killed?
- How does she relate to stereotypes about gender?
- How does she relate to other female characters?
Good luck.
On "Jo Writes Stuff", Jo has produced an epic analysis of whether or not a character is a "strong female character"; and a test to go with it. Here is her instructions on How To Use The Test.
She has stopped any new analysis, but here is a list of All The Characters She Reviewed.
I believe this can help you with some of your issues; just writing a post-woke female character.
For the most part, other than sexual attractions or attentions, I think in the 23rd century the answer is to write female characters and male characters rather similarly, but NOT as women becoming like men: More like meeting in the middle, or both sides going to some extreme.
For example, consider makeup: One route is to eliminate it; women no longer need it in the post-woke society. But the other route is to make it universal: Your male character may have some trouble in our modern time, because like all men of his time, he doesn't usually go out without makeup. (The same was true for men in some royal courts a few centuries in our past).
Your guy might have acquired many habits and attitudes we might consider "feminine", and what we consider acceptably "masculine" today may come to be considered just rude in the 23rd century. Like men interrupting women, or clerks and managers speaking exclusively to a man instead of to both the man and woman.
Or on the flip side, your male may be just as motherly and devoted to kids, and know everything there is to know about childcare and raising children, and doesn't defer to women in the least in that respect. In his time, men are expected (by both other men and women) to be full and sensitive participants in childcare.
For the most part, I would just have your 23rd century people not perceive any difference between interacting with men or women. As a psychological trick to help you do that and get past your own cultural bias, she responds to and speaks to men as a modern woman would respond to and speak to another modern female stranger, saying or doing the same thing: Gender makes no difference to your time traveler. The opposite trick for your time traveling man: he responds to and speaks to women the same as a modern man would respond to and speak to another modern male stranger.
And though they are a couple, they engage with each other as friends. If you intend to have romantic or sexual scenes in the story, make them equally desirous.
There is seldom a need for designing a "strong male character", But I'd use Jo's checklist in the same way. Here are her questions; the link above has details on what you should consider for each question.
- Does the character shape her own destiny? Does she actively try to
change her situation and if not, why not? - Does she have her own goals, beliefs and hobbies? Did she come up
with them on her own? - Is her character consistent? Do her personality or skills change as
the plot demands? - Can you describe her in one short sentence without mentioning her
love life, her physical appearance, or the words
âÂÂstrong female characterâÂÂ? - Does she make decisions that arenâÂÂt influenced by her love life?
- Does she develop over the course of the story?
- Does she have a weakness?
- Does she influence the plot without getting captured or killed?
- How does she relate to stereotypes about gender?
- How does she relate to other female characters?
Good luck.
answered 15 mins ago
Amadeus
39.9k246130
39.9k246130
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2
Related: Pitfalls of writing a main character of different gender to the author, specifically first-person perspective?
â Alexander
2 hours ago
What do you mean by "feminine"? To me that suggests some attitude you want to give her; perhaps about dress, makeup, daintiness (not wanting to get dirty), or waiting for male initiative, etc. Wouldn't most of what we think of as being "feminine" either disappear, or be universally adopted by both genders? I don't think there is much about "femininity" that is inherent in having female body parts. I think nearly all of it is a learned product and attitude of current culture.
â Amadeus
1 hour ago