Authorship implications of presenting oneâÂÂs manuscript as an older one in the prologue

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Umberto Eco, E. T. A. Hoffmann and others have pretended (in the introduction to the story) to have found and edited obscure old manuscripts. In my view this added to the charm of their writings.
If I attempt such a thing and do it well, do I risk the publisher denying my authorship and rights?
publishing legal
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up vote
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Umberto Eco, E. T. A. Hoffmann and others have pretended (in the introduction to the story) to have found and edited obscure old manuscripts. In my view this added to the charm of their writings.
If I attempt such a thing and do it well, do I risk the publisher denying my authorship and rights?
publishing legal
add a comment |Â
up vote
2
down vote
favorite
up vote
2
down vote
favorite
Umberto Eco, E. T. A. Hoffmann and others have pretended (in the introduction to the story) to have found and edited obscure old manuscripts. In my view this added to the charm of their writings.
If I attempt such a thing and do it well, do I risk the publisher denying my authorship and rights?
publishing legal
Umberto Eco, E. T. A. Hoffmann and others have pretended (in the introduction to the story) to have found and edited obscure old manuscripts. In my view this added to the charm of their writings.
If I attempt such a thing and do it well, do I risk the publisher denying my authorship and rights?
publishing legal
publishing legal
edited 3 hours ago
asked 3 hours ago
Ludi
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356314
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2 Answers
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Pretending to "have found and edited an obscure manuscript" is quite a common literary device. A few other examples include Neil Gaiman's The Dream Hunters (Illustrated by Yoshitako Amano, part of the Sandman series) and William Goldman's The Princess Bride.
You will note that in all examples, while the pretence is maintained within the body of the text, the book is credited to the real author. It's right there, on the cover. Which is to say, it is a game played inside the story, but never crossing over into the world of publishing. You approach a publisher, you present your work as what it really is - your work, using a fun literary device.
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I don't think so.
It's purely a literary device
And an old one, as that. Some classical, widely recognized authors have used it in the past (Manzoni's Promessi Sposi - or the Bethroted comes to my mind. Another one is Cervantes Don Quixote). I recall it was used in antiquity too, by Greek and Latin authors, even if I can't remember an exact example now. Authors used to do this for a variety of reasons - for example, Manzoni did it so he could place the opera in the past and avoid censorship for being labeled against the current governors of northern Italy.
You may find other - more recent - examples in this researchgate question or searching "found manuscript" device on google.
Aside from being a well-established literary device, you won't risk your publisher denying you anything. They would need a copy of the "found" manuscript to claim ownership, and such copies don't exist, and you can (i suppose) easily prove ownership of anything you've written.
If your work is good - so good that they want to claim it - they will have better chances working with you rather trying to put up such a scam.
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2 Answers
2
active
oldest
votes
2 Answers
2
active
oldest
votes
active
oldest
votes
active
oldest
votes
up vote
3
down vote
Pretending to "have found and edited an obscure manuscript" is quite a common literary device. A few other examples include Neil Gaiman's The Dream Hunters (Illustrated by Yoshitako Amano, part of the Sandman series) and William Goldman's The Princess Bride.
You will note that in all examples, while the pretence is maintained within the body of the text, the book is credited to the real author. It's right there, on the cover. Which is to say, it is a game played inside the story, but never crossing over into the world of publishing. You approach a publisher, you present your work as what it really is - your work, using a fun literary device.
add a comment |Â
up vote
3
down vote
Pretending to "have found and edited an obscure manuscript" is quite a common literary device. A few other examples include Neil Gaiman's The Dream Hunters (Illustrated by Yoshitako Amano, part of the Sandman series) and William Goldman's The Princess Bride.
You will note that in all examples, while the pretence is maintained within the body of the text, the book is credited to the real author. It's right there, on the cover. Which is to say, it is a game played inside the story, but never crossing over into the world of publishing. You approach a publisher, you present your work as what it really is - your work, using a fun literary device.
add a comment |Â
up vote
3
down vote
up vote
3
down vote
Pretending to "have found and edited an obscure manuscript" is quite a common literary device. A few other examples include Neil Gaiman's The Dream Hunters (Illustrated by Yoshitako Amano, part of the Sandman series) and William Goldman's The Princess Bride.
You will note that in all examples, while the pretence is maintained within the body of the text, the book is credited to the real author. It's right there, on the cover. Which is to say, it is a game played inside the story, but never crossing over into the world of publishing. You approach a publisher, you present your work as what it really is - your work, using a fun literary device.
Pretending to "have found and edited an obscure manuscript" is quite a common literary device. A few other examples include Neil Gaiman's The Dream Hunters (Illustrated by Yoshitako Amano, part of the Sandman series) and William Goldman's The Princess Bride.
You will note that in all examples, while the pretence is maintained within the body of the text, the book is credited to the real author. It's right there, on the cover. Which is to say, it is a game played inside the story, but never crossing over into the world of publishing. You approach a publisher, you present your work as what it really is - your work, using a fun literary device.
answered 2 hours ago
Galastel
19.6k349109
19.6k349109
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up vote
1
down vote
I don't think so.
It's purely a literary device
And an old one, as that. Some classical, widely recognized authors have used it in the past (Manzoni's Promessi Sposi - or the Bethroted comes to my mind. Another one is Cervantes Don Quixote). I recall it was used in antiquity too, by Greek and Latin authors, even if I can't remember an exact example now. Authors used to do this for a variety of reasons - for example, Manzoni did it so he could place the opera in the past and avoid censorship for being labeled against the current governors of northern Italy.
You may find other - more recent - examples in this researchgate question or searching "found manuscript" device on google.
Aside from being a well-established literary device, you won't risk your publisher denying you anything. They would need a copy of the "found" manuscript to claim ownership, and such copies don't exist, and you can (i suppose) easily prove ownership of anything you've written.
If your work is good - so good that they want to claim it - they will have better chances working with you rather trying to put up such a scam.
add a comment |Â
up vote
1
down vote
I don't think so.
It's purely a literary device
And an old one, as that. Some classical, widely recognized authors have used it in the past (Manzoni's Promessi Sposi - or the Bethroted comes to my mind. Another one is Cervantes Don Quixote). I recall it was used in antiquity too, by Greek and Latin authors, even if I can't remember an exact example now. Authors used to do this for a variety of reasons - for example, Manzoni did it so he could place the opera in the past and avoid censorship for being labeled against the current governors of northern Italy.
You may find other - more recent - examples in this researchgate question or searching "found manuscript" device on google.
Aside from being a well-established literary device, you won't risk your publisher denying you anything. They would need a copy of the "found" manuscript to claim ownership, and such copies don't exist, and you can (i suppose) easily prove ownership of anything you've written.
If your work is good - so good that they want to claim it - they will have better chances working with you rather trying to put up such a scam.
add a comment |Â
up vote
1
down vote
up vote
1
down vote
I don't think so.
It's purely a literary device
And an old one, as that. Some classical, widely recognized authors have used it in the past (Manzoni's Promessi Sposi - or the Bethroted comes to my mind. Another one is Cervantes Don Quixote). I recall it was used in antiquity too, by Greek and Latin authors, even if I can't remember an exact example now. Authors used to do this for a variety of reasons - for example, Manzoni did it so he could place the opera in the past and avoid censorship for being labeled against the current governors of northern Italy.
You may find other - more recent - examples in this researchgate question or searching "found manuscript" device on google.
Aside from being a well-established literary device, you won't risk your publisher denying you anything. They would need a copy of the "found" manuscript to claim ownership, and such copies don't exist, and you can (i suppose) easily prove ownership of anything you've written.
If your work is good - so good that they want to claim it - they will have better chances working with you rather trying to put up such a scam.
I don't think so.
It's purely a literary device
And an old one, as that. Some classical, widely recognized authors have used it in the past (Manzoni's Promessi Sposi - or the Bethroted comes to my mind. Another one is Cervantes Don Quixote). I recall it was used in antiquity too, by Greek and Latin authors, even if I can't remember an exact example now. Authors used to do this for a variety of reasons - for example, Manzoni did it so he could place the opera in the past and avoid censorship for being labeled against the current governors of northern Italy.
You may find other - more recent - examples in this researchgate question or searching "found manuscript" device on google.
Aside from being a well-established literary device, you won't risk your publisher denying you anything. They would need a copy of the "found" manuscript to claim ownership, and such copies don't exist, and you can (i suppose) easily prove ownership of anything you've written.
If your work is good - so good that they want to claim it - they will have better chances working with you rather trying to put up such a scam.
answered 3 hours ago
Liquid
3,181833
3,181833
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