Why do these chords from the plastic bag scene in American Beauty work?

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I'm trying to figure out the theory behind these three chords and why they work together. At first I thought it was a C major scale since it tends to want to go there. But there's flats in there so maybe it's in F since there's a Bb, but then where does the Eb come from?

1. C - G


2. Eb - Bb


3. F - A - C

I think this could also be written like:

1. C5 chord


2. Eb5 chord


3. F chord

progression here in Synthesia.

theory chords chord-progressions

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edited Aug 28 at 11:27

asked Aug 27 at 12:26

foreyez

3,49122057

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up vote
9
down vote

favorite

2

I'm trying to figure out the theory behind these three chords and why they work together. At first I thought it was a C major scale since it tends to want to go there. But there's flats in there so maybe it's in F since there's a Bb, but then where does the Eb come from?

1. C - G


2. Eb - Bb


3. F - A - C

I think this could also be written like:

1. C5 chord


2. Eb5 chord


3. F chord

progression here in Synthesia.

theory chords chord-progressions

share|improve this question

edited Aug 28 at 11:27

asked Aug 27 at 12:26

foreyez

3,49122057

add a comment | 

up vote
9
down vote

favorite

2

up vote
9
down vote

favorite

2

2

I'm trying to figure out the theory behind these three chords and why they work together. At first I thought it was a C major scale since it tends to want to go there. But there's flats in there so maybe it's in F since there's a Bb, but then where does the Eb come from?

1. C - G


2. Eb - Bb


3. F - A - C

I think this could also be written like:

1. C5 chord


2. Eb5 chord


3. F chord

progression here in Synthesia.

theory chords chord-progressions

share|improve this question

edited Aug 28 at 11:27

asked Aug 27 at 12:26

foreyez

3,49122057

I'm trying to figure out the theory behind these three chords and why they work together. At first I thought it was a C major scale since it tends to want to go there. But there's flats in there so maybe it's in F since there's a Bb, but then where does the Eb come from?

1. C - G


2. Eb - Bb


3. F - A - C

I think this could also be written like:

1. C5 chord


2. Eb5 chord


3. F chord

progression here in Synthesia.

theory chords chord-progressions

share|improve this question

edited Aug 28 at 11:27

asked Aug 27 at 12:26

foreyez

3,49122057

share|improve this question

share|improve this question

edited Aug 28 at 11:27

edited Aug 28 at 11:27

edited Aug 28 at 11:27

asked Aug 27 at 12:26

foreyez

3,49122057

asked Aug 27 at 12:26

foreyez

3,49122057

asked Aug 27 at 12:26

foreyez

3,49122057

3,49122057

add a comment | 

add a comment | 

5 Answers
5

active

oldest

votes

up vote
17
down vote



accepted

In addition to Tim's great answer, we can also conceptualize this as being in C Dorian.

The Dorian mode is a major scale with a lowered third and seventh. C Dorian would thus have E♭ and B♭.

I think this is especially important to point out because of the A♮ (not A♭!) shown in your link. Another way to conceptualize Dorian is as natural minor with a raised sixth, which would be this A♮.

Dorian is very common in popular music. The I–III–IV of this excerpt is a very common feature of Dorian, as is the emphasized whole step between scale-degrees 6 and 5 (A and G).

share|improve this answer

edited Aug 27 at 18:12

answered Aug 27 at 18:06

Richard

30.7k666131

• 
  
  
  

  
  2
  

  
  
  
  
  
  

  
  @EzLo For metrical reasons, I hear C as tonic instead of F. To me, the C chords are treated as points of rest, whereas the F chords sound to me like they're waiting to resolve back to C.
  – Richard
  Aug 28 at 10:06
  

  
  
  
  


• 
  
  
  

  
  

  
  
  
  
  
  

  
  I'd just like to add here that American Beauty is a great film, and part of its greatness is an especially sensitive and original soundtrack. Just sayin'.
  – Scott Wallace
  Aug 28 at 10:28
  

  
  
  
  

add a comment | 

up vote
8
down vote

They just do! But for some theory behind, it's entirely possible to mix in a parallel key. So here, the Eb/Bb (certainly not D#/A#!!) is from C minor. And yes, it could be written as C5 Eb5 F5. There are those amongst us who would argue they're not 'chords', but that's for another post...

It could equally be in F, as those three chords also feature in that key.

That sequence was used a fair bit in the '60s - Knock on Wood comes straight to mind.I - bIII - IV. Or, thinking in F, I - bVII, You Really Got Me. (Although that's nearly in key G!!). Or On Broadway.

share|improve this answer

edited Aug 27 at 17:58

answered Aug 27 at 12:36

Tim

88.4k1090225

• 
  
  
  

  
  

  
  
  
  
  
  

  
  The F chord at the end has an A in the top, so it's a full on F major chord.
  – trlkly
  Aug 27 at 20:42
  

  
  
  
  

add a comment | 

up vote
3
down vote

I think this could be in the key of C or F, both major or minor, depending on the melody and the rest of the chords, I could think in examples for all cases if needed. In the major case, Eb would be borrowed from the parallel minor key.

As already said, all notes fit in both C and F minor pentatonics, and power chords over pentatonic scales are an old trick I guess, can't go wrong.

share|improve this answer

answered Aug 27 at 16:42

coconochao

81413

add a comment | 

up vote
1
down vote

To my ear, it actually just sound like it's in B-flat major, but completely avoids playing the tonic chord, aka B-flat major. Since it avoids the tonic, it creates this feeling of always floating, never being anchored, like the bag in the scene.

If this is correct, then the chords would be analyzed as ii IV V, repeating.

You can try this out for yourself: end the progression with a B-flat major chord, with the top note also being a B-flat. To me, it sounds like I finally found rest.

share|improve this answer

answered Aug 27 at 20:46

trlkly

31717

• 
  
  
  

  
  3
  

  
  
  
  
  
  

  
  I don't think so since it wants to go back to C5.
  – foreyez
  Aug 28 at 12:18
  
  

  
  
  
  


• 
  
  
  

  
  1
  

  
  
  
  
  
  

  
  It sounds in C to me too. Part of the reason is all the pedal tones on C. No hint of Bb to my ears.
  – Scott Wallace
  Aug 28 at 13:52
  

  
  
  
  

add a comment | 

up vote
0
down vote

To me it doesn't sound like functional harmony, it sounds like pentatonic music with a weak key center in C. If it was functional harmony in the major-minor system, then we would expect at some point to get a V-i, and the V chord would have a B natural in it. That never happens. Since our ears are attuned to functional harmony, the lack of functional harmony makes it sound enigmatic. That works because the point of the scene is to get across something mysterious and ineffable.

share|improve this answer

answered Aug 27 at 21:24

Ben Crowell

28017

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5 Answers
5

active

oldest

votes

5 Answers
5

active

oldest

votes

active

oldest

votes

active

oldest

votes

up vote
17
down vote



accepted

In addition to Tim's great answer, we can also conceptualize this as being in C Dorian.

The Dorian mode is a major scale with a lowered third and seventh. C Dorian would thus have E♭ and B♭.

I think this is especially important to point out because of the A♮ (not A♭!) shown in your link. Another way to conceptualize Dorian is as natural minor with a raised sixth, which would be this A♮.

Dorian is very common in popular music. The I–III–IV of this excerpt is a very common feature of Dorian, as is the emphasized whole step between scale-degrees 6 and 5 (A and G).

share|improve this answer

edited Aug 27 at 18:12

answered Aug 27 at 18:06

Richard

30.7k666131

• 
  
  
  

  
  2
  

  
  
  
  
  
  

  
  @EzLo For metrical reasons, I hear C as tonic instead of F. To me, the C chords are treated as points of rest, whereas the F chords sound to me like they're waiting to resolve back to C.
  – Richard
  Aug 28 at 10:06
  

  
  
  
  


• 
  
  
  

  
  

  
  
  
  
  
  

  
  I'd just like to add here that American Beauty is a great film, and part of its greatness is an especially sensitive and original soundtrack. Just sayin'.
  – Scott Wallace
  Aug 28 at 10:28
  

  
  
  
  

add a comment | 

up vote
17
down vote



accepted

In addition to Tim's great answer, we can also conceptualize this as being in C Dorian.

The Dorian mode is a major scale with a lowered third and seventh. C Dorian would thus have E♭ and B♭.

I think this is especially important to point out because of the A♮ (not A♭!) shown in your link. Another way to conceptualize Dorian is as natural minor with a raised sixth, which would be this A♮.

Dorian is very common in popular music. The I–III–IV of this excerpt is a very common feature of Dorian, as is the emphasized whole step between scale-degrees 6 and 5 (A and G).

share|improve this answer

edited Aug 27 at 18:12

answered Aug 27 at 18:06

Richard

30.7k666131

• 
  
  
  

  
  2
  

  
  
  
  
  
  

  
  @EzLo For metrical reasons, I hear C as tonic instead of F. To me, the C chords are treated as points of rest, whereas the F chords sound to me like they're waiting to resolve back to C.
  – Richard
  Aug 28 at 10:06
  

  
  
  
  


• 
  
  
  

  
  

  
  
  
  
  
  

  
  I'd just like to add here that American Beauty is a great film, and part of its greatness is an especially sensitive and original soundtrack. Just sayin'.
  – Scott Wallace
  Aug 28 at 10:28
  

  
  
  
  

add a comment | 

up vote
17
down vote



accepted

up vote
17
down vote



accepted

In addition to Tim's great answer, we can also conceptualize this as being in C Dorian.

The Dorian mode is a major scale with a lowered third and seventh. C Dorian would thus have E♭ and B♭.

I think this is especially important to point out because of the A♮ (not A♭!) shown in your link. Another way to conceptualize Dorian is as natural minor with a raised sixth, which would be this A♮.

Dorian is very common in popular music. The I–III–IV of this excerpt is a very common feature of Dorian, as is the emphasized whole step between scale-degrees 6 and 5 (A and G).

share|improve this answer

edited Aug 27 at 18:12

answered Aug 27 at 18:06

Richard

30.7k666131

In addition to Tim's great answer, we can also conceptualize this as being in C Dorian.

The Dorian mode is a major scale with a lowered third and seventh. C Dorian would thus have E♭ and B♭.

I think this is especially important to point out because of the A♮ (not A♭!) shown in your link. Another way to conceptualize Dorian is as natural minor with a raised sixth, which would be this A♮.

Dorian is very common in popular music. The I–III–IV of this excerpt is a very common feature of Dorian, as is the emphasized whole step between scale-degrees 6 and 5 (A and G).

share|improve this answer

edited Aug 27 at 18:12

answered Aug 27 at 18:06

Richard

30.7k666131

share|improve this answer

share|improve this answer

edited Aug 27 at 18:12

edited Aug 27 at 18:12

edited Aug 27 at 18:12

answered Aug 27 at 18:06

Richard

30.7k666131

answered Aug 27 at 18:06

Richard

30.7k666131

answered Aug 27 at 18:06

Richard

30.7k666131

30.7k666131

• 
  
  
  

  
  2
  

  
  
  
  
  
  

  
  @EzLo For metrical reasons, I hear C as tonic instead of F. To me, the C chords are treated as points of rest, whereas the F chords sound to me like they're waiting to resolve back to C.
  – Richard
  Aug 28 at 10:06
  

  
  
  
  


• 
  
  
  

  
  

  
  
  
  
  
  

  
  I'd just like to add here that American Beauty is a great film, and part of its greatness is an especially sensitive and original soundtrack. Just sayin'.
  – Scott Wallace
  Aug 28 at 10:28
  

  
  
  
  

add a comment | 

• 
  
  
  

  
  2
  

  
  
  
  
  
  

  
  @EzLo For metrical reasons, I hear C as tonic instead of F. To me, the C chords are treated as points of rest, whereas the F chords sound to me like they're waiting to resolve back to C.
  – Richard
  Aug 28 at 10:06
  

  
  
  
  


• 
  
  
  

  
  

  
  
  
  
  
  

  
  I'd just like to add here that American Beauty is a great film, and part of its greatness is an especially sensitive and original soundtrack. Just sayin'.
  – Scott Wallace
  Aug 28 at 10:28
  

  
  
  
  

2

2

@EzLo For metrical reasons, I hear C as tonic instead of F. To me, the C chords are treated as points of rest, whereas the F chords sound to me like they're waiting to resolve back to C.
– Richard
Aug 28 at 10:06

@EzLo For metrical reasons, I hear C as tonic instead of F. To me, the C chords are treated as points of rest, whereas the F chords sound to me like they're waiting to resolve back to C.
– Richard
Aug 28 at 10:06

I'd just like to add here that American Beauty is a great film, and part of its greatness is an especially sensitive and original soundtrack. Just sayin'.
– Scott Wallace
Aug 28 at 10:28

I'd just like to add here that American Beauty is a great film, and part of its greatness is an especially sensitive and original soundtrack. Just sayin'.
– Scott Wallace
Aug 28 at 10:28

add a comment | 

up vote
8
down vote

They just do! But for some theory behind, it's entirely possible to mix in a parallel key. So here, the Eb/Bb (certainly not D#/A#!!) is from C minor. And yes, it could be written as C5 Eb5 F5. There are those amongst us who would argue they're not 'chords', but that's for another post...

It could equally be in F, as those three chords also feature in that key.

That sequence was used a fair bit in the '60s - Knock on Wood comes straight to mind.I - bIII - IV. Or, thinking in F, I - bVII, You Really Got Me. (Although that's nearly in key G!!). Or On Broadway.

share|improve this answer

edited Aug 27 at 17:58

answered Aug 27 at 12:36

Tim

88.4k1090225

• 
  
  
  

  
  

  
  
  
  
  
  

  
  The F chord at the end has an A in the top, so it's a full on F major chord.
  – trlkly
  Aug 27 at 20:42
  

  
  
  
  

add a comment | 

up vote
8
down vote

They just do! But for some theory behind, it's entirely possible to mix in a parallel key. So here, the Eb/Bb (certainly not D#/A#!!) is from C minor. And yes, it could be written as C5 Eb5 F5. There are those amongst us who would argue they're not 'chords', but that's for another post...

It could equally be in F, as those three chords also feature in that key.

That sequence was used a fair bit in the '60s - Knock on Wood comes straight to mind.I - bIII - IV. Or, thinking in F, I - bVII, You Really Got Me. (Although that's nearly in key G!!). Or On Broadway.

share|improve this answer

edited Aug 27 at 17:58

answered Aug 27 at 12:36

Tim

88.4k1090225

• 
  
  
  

  
  

  
  
  
  
  
  

  
  The F chord at the end has an A in the top, so it's a full on F major chord.
  – trlkly
  Aug 27 at 20:42
  

  
  
  
  

add a comment | 

up vote
8
down vote

up vote
8
down vote

They just do! But for some theory behind, it's entirely possible to mix in a parallel key. So here, the Eb/Bb (certainly not D#/A#!!) is from C minor. And yes, it could be written as C5 Eb5 F5. There are those amongst us who would argue they're not 'chords', but that's for another post...

It could equally be in F, as those three chords also feature in that key.

That sequence was used a fair bit in the '60s - Knock on Wood comes straight to mind.I - bIII - IV. Or, thinking in F, I - bVII, You Really Got Me. (Although that's nearly in key G!!). Or On Broadway.

share|improve this answer

edited Aug 27 at 17:58

answered Aug 27 at 12:36

Tim

88.4k1090225

They just do! But for some theory behind, it's entirely possible to mix in a parallel key. So here, the Eb/Bb (certainly not D#/A#!!) is from C minor. And yes, it could be written as C5 Eb5 F5. There are those amongst us who would argue they're not 'chords', but that's for another post...

It could equally be in F, as those three chords also feature in that key.

That sequence was used a fair bit in the '60s - Knock on Wood comes straight to mind.I - bIII - IV. Or, thinking in F, I - bVII, You Really Got Me. (Although that's nearly in key G!!). Or On Broadway.

share|improve this answer

edited Aug 27 at 17:58

answered Aug 27 at 12:36

Tim

88.4k1090225

share|improve this answer

share|improve this answer

edited Aug 27 at 17:58

edited Aug 27 at 17:58

edited Aug 27 at 17:58

answered Aug 27 at 12:36

Tim

88.4k1090225

answered Aug 27 at 12:36

Tim

88.4k1090225

answered Aug 27 at 12:36

Tim

88.4k1090225

88.4k1090225

• 
  
  
  

  
  

  
  
  
  
  
  

  
  The F chord at the end has an A in the top, so it's a full on F major chord.
  – trlkly
  Aug 27 at 20:42
  

  
  
  
  

add a comment | 

• 
  
  
  

  
  

  
  
  
  
  
  

  
  The F chord at the end has an A in the top, so it's a full on F major chord.
  – trlkly
  Aug 27 at 20:42
  

  
  
  
  

The F chord at the end has an A in the top, so it's a full on F major chord.
– trlkly
Aug 27 at 20:42

The F chord at the end has an A in the top, so it's a full on F major chord.
– trlkly
Aug 27 at 20:42

add a comment | 

up vote
3
down vote

I think this could be in the key of C or F, both major or minor, depending on the melody and the rest of the chords, I could think in examples for all cases if needed. In the major case, Eb would be borrowed from the parallel minor key.

As already said, all notes fit in both C and F minor pentatonics, and power chords over pentatonic scales are an old trick I guess, can't go wrong.

share|improve this answer

answered Aug 27 at 16:42

coconochao

81413

add a comment | 

up vote
3
down vote

I think this could be in the key of C or F, both major or minor, depending on the melody and the rest of the chords, I could think in examples for all cases if needed. In the major case, Eb would be borrowed from the parallel minor key.

As already said, all notes fit in both C and F minor pentatonics, and power chords over pentatonic scales are an old trick I guess, can't go wrong.

share|improve this answer

answered Aug 27 at 16:42

coconochao

81413

add a comment | 

up vote
3
down vote

up vote
3
down vote

I think this could be in the key of C or F, both major or minor, depending on the melody and the rest of the chords, I could think in examples for all cases if needed. In the major case, Eb would be borrowed from the parallel minor key.

As already said, all notes fit in both C and F minor pentatonics, and power chords over pentatonic scales are an old trick I guess, can't go wrong.

share|improve this answer

answered Aug 27 at 16:42

coconochao

81413

I think this could be in the key of C or F, both major or minor, depending on the melody and the rest of the chords, I could think in examples for all cases if needed. In the major case, Eb would be borrowed from the parallel minor key.

As already said, all notes fit in both C and F minor pentatonics, and power chords over pentatonic scales are an old trick I guess, can't go wrong.

share|improve this answer

answered Aug 27 at 16:42

coconochao

81413

share|improve this answer

share|improve this answer

answered Aug 27 at 16:42

coconochao

81413

answered Aug 27 at 16:42

coconochao

81413

answered Aug 27 at 16:42

coconochao

81413

81413

add a comment | 

add a comment | 

up vote
1
down vote

To my ear, it actually just sound like it's in B-flat major, but completely avoids playing the tonic chord, aka B-flat major. Since it avoids the tonic, it creates this feeling of always floating, never being anchored, like the bag in the scene.

If this is correct, then the chords would be analyzed as ii IV V, repeating.

You can try this out for yourself: end the progression with a B-flat major chord, with the top note also being a B-flat. To me, it sounds like I finally found rest.

share|improve this answer

answered Aug 27 at 20:46

trlkly

31717

• 
  
  
  

  
  3
  

  
  
  
  
  
  

  
  I don't think so since it wants to go back to C5.
  – foreyez
  Aug 28 at 12:18
  
  

  
  
  
  


• 
  
  
  

  
  1
  

  
  
  
  
  
  

  
  It sounds in C to me too. Part of the reason is all the pedal tones on C. No hint of Bb to my ears.
  – Scott Wallace
  Aug 28 at 13:52
  

  
  
  
  

add a comment | 

up vote
1
down vote

To my ear, it actually just sound like it's in B-flat major, but completely avoids playing the tonic chord, aka B-flat major. Since it avoids the tonic, it creates this feeling of always floating, never being anchored, like the bag in the scene.

If this is correct, then the chords would be analyzed as ii IV V, repeating.

You can try this out for yourself: end the progression with a B-flat major chord, with the top note also being a B-flat. To me, it sounds like I finally found rest.

share|improve this answer

answered Aug 27 at 20:46

trlkly

31717

• 
  
  
  

  
  3
  

  
  
  
  
  
  

  
  I don't think so since it wants to go back to C5.
  – foreyez
  Aug 28 at 12:18
  
  

  
  
  
  


• 
  
  
  

  
  1
  

  
  
  
  
  
  

  
  It sounds in C to me too. Part of the reason is all the pedal tones on C. No hint of Bb to my ears.
  – Scott Wallace
  Aug 28 at 13:52
  

  
  
  
  

add a comment | 

up vote
1
down vote

up vote
1
down vote

To my ear, it actually just sound like it's in B-flat major, but completely avoids playing the tonic chord, aka B-flat major. Since it avoids the tonic, it creates this feeling of always floating, never being anchored, like the bag in the scene.

If this is correct, then the chords would be analyzed as ii IV V, repeating.

You can try this out for yourself: end the progression with a B-flat major chord, with the top note also being a B-flat. To me, it sounds like I finally found rest.

share|improve this answer

answered Aug 27 at 20:46

trlkly

31717

To my ear, it actually just sound like it's in B-flat major, but completely avoids playing the tonic chord, aka B-flat major. Since it avoids the tonic, it creates this feeling of always floating, never being anchored, like the bag in the scene.

If this is correct, then the chords would be analyzed as ii IV V, repeating.

You can try this out for yourself: end the progression with a B-flat major chord, with the top note also being a B-flat. To me, it sounds like I finally found rest.

share|improve this answer

answered Aug 27 at 20:46

trlkly

31717

share|improve this answer

share|improve this answer

answered Aug 27 at 20:46

trlkly

31717

answered Aug 27 at 20:46

trlkly

31717

answered Aug 27 at 20:46

trlkly

31717

31717

• 
  
  
  

  
  3
  

  
  
  
  
  
  

  
  I don't think so since it wants to go back to C5.
  – foreyez
  Aug 28 at 12:18
  
  

  
  
  
  


• 
  
  
  

  
  1
  

  
  
  
  
  
  

  
  It sounds in C to me too. Part of the reason is all the pedal tones on C. No hint of Bb to my ears.
  – Scott Wallace
  Aug 28 at 13:52
  

  
  
  
  

add a comment | 

• 
  
  
  

  
  3
  

  
  
  
  
  
  

  
  I don't think so since it wants to go back to C5.
  – foreyez
  Aug 28 at 12:18
  
  

  
  
  
  


• 
  
  
  

  
  1
  

  
  
  
  
  
  

  
  It sounds in C to me too. Part of the reason is all the pedal tones on C. No hint of Bb to my ears.
  – Scott Wallace
  Aug 28 at 13:52
  

  
  
  
  

3

3

I don't think so since it wants to go back to C5.
– foreyez
Aug 28 at 12:18

I don't think so since it wants to go back to C5.
– foreyez
Aug 28 at 12:18

1

1

It sounds in C to me too. Part of the reason is all the pedal tones on C. No hint of Bb to my ears.
– Scott Wallace
Aug 28 at 13:52

It sounds in C to me too. Part of the reason is all the pedal tones on C. No hint of Bb to my ears.
– Scott Wallace
Aug 28 at 13:52

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0
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To me it doesn't sound like functional harmony, it sounds like pentatonic music with a weak key center in C. If it was functional harmony in the major-minor system, then we would expect at some point to get a V-i, and the V chord would have a B natural in it. That never happens. Since our ears are attuned to functional harmony, the lack of functional harmony makes it sound enigmatic. That works because the point of the scene is to get across something mysterious and ineffable.

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answered Aug 27 at 21:24

Ben Crowell

28017

add a comment | 

up vote
0
down vote

To me it doesn't sound like functional harmony, it sounds like pentatonic music with a weak key center in C. If it was functional harmony in the major-minor system, then we would expect at some point to get a V-i, and the V chord would have a B natural in it. That never happens. Since our ears are attuned to functional harmony, the lack of functional harmony makes it sound enigmatic. That works because the point of the scene is to get across something mysterious and ineffable.

share|improve this answer

answered Aug 27 at 21:24

Ben Crowell

28017

add a comment | 

up vote
0
down vote

up vote
0
down vote

To me it doesn't sound like functional harmony, it sounds like pentatonic music with a weak key center in C. If it was functional harmony in the major-minor system, then we would expect at some point to get a V-i, and the V chord would have a B natural in it. That never happens. Since our ears are attuned to functional harmony, the lack of functional harmony makes it sound enigmatic. That works because the point of the scene is to get across something mysterious and ineffable.

share|improve this answer

answered Aug 27 at 21:24

Ben Crowell

28017

To me it doesn't sound like functional harmony, it sounds like pentatonic music with a weak key center in C. If it was functional harmony in the major-minor system, then we would expect at some point to get a V-i, and the V chord would have a B natural in it. That never happens. Since our ears are attuned to functional harmony, the lack of functional harmony makes it sound enigmatic. That works because the point of the scene is to get across something mysterious and ineffable.

share|improve this answer

answered Aug 27 at 21:24

Ben Crowell

28017

share|improve this answer

share|improve this answer

answered Aug 27 at 21:24

Ben Crowell

28017

answered Aug 27 at 21:24

Ben Crowell

28017

answered Aug 27 at 21:24

Ben Crowell

28017

28017

add a comment | 

add a comment | 

 

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